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25.1.2013.
BookILL Fest- Banatski kulturni centar Novo Miloševo, Srbija (English down below)
BookILL Fest
Festival ilustracije knjige
BookILL Fest - Festival ilustracije knjige po drugi put organizuju Banatski kulturni centar i Novosadski sajam u okviru 19. međunarodnog salona knjige u Novom Sadu.
Salon knjige će se održati od 28. februara do 5. marta 2013. godine, a sam Festival ilustracije knjige 1. marta 2013. na Novosadskom sajmu.
BookILL Fest podrazumeva internet konkurs za najbolju ilustraciju knjige, izložbu printova izabranih i nagrađenih radova, proglašenje pobednika i prateće programe.
Ilustrovanje knjiga je specifična i sofisticirana oblast u procesu dizajniranja knjiga. Knjiga je umetnički objekat. Koliko god je važna sadržina knjige, tolika je važna i njena spoljašnost. Ilustrovanje, dizajniranje i opremanje knjiga uopšte su nerazdvojni deo procesa proizvodnje knjiga i s te straneBookILL Fest teži da skrene pažnju na vizuelne umetnike i afirmiše autore koji se bave ilustrovanjem knjiga. Konkursi za ilustraciju knjige su u svetu veoma retki, a time je značaj ovog Festivala veći.
PRIJAVLJIVANJE na Internet konkurs BookILL Fest-a:
Konkurs je otvoren za autore iz celog sveta.
Svaki autor šalje 4 ilustracije knjige i to: obavezno bar 1 ilustraciju naslovne strane knjige i po sopstvenom izboru 3 ilustracije iz knjige, u digitalnoj formi (JPG, TIFF, PSD formatu, RGB modu, 300 dpi, do formata A4).
Sve poslati na e-mail adresu [email protected]
Mogu se slati ilustracije rađene u svim likovnim i grafičkim tehnikama ili kompjuterskim doradama. Dolazi u obzir i fotografija koja je u funkciji ilustracije knjige.
Mogu se slati i neobjavljena likovno-dizajnerska rešenja i objavljene knjige, kao skenirani gotovi radovi ili samo kao projekti. Ukoliko autor želi, može poslati i knjigu na sledeću adresu: Banatski kulturni centar, JNA 35, 23273, Novo Miloševo.
Autori, takođe, treba u e-mailu da pošalju svoje podatke: ime, prezime, adresa, telefon, kratka profesionalna biografija i nazive radova i u okviru koje, od dole navedenih, kategorija šalju radove. Navesti da li je knjiga objavljena ili je u projektu.
Radove slati do 14. februara 2013. godine.
Kategorije za slanje radova:
1. Ilustracija pesničke knjige
2. Ilustracija prozne knjige
3. Ilustracija knjige za decu
4. Fotoilustracija knjige
Proglašenje pobednika i digitalna izložba
Proglašenje pobednika i dodela nagrada održaće se 01. marta 2013. godine na Novosadskom sajmu, kao i otvaranje izložbe selektovanih i nagrađenih radova.
Detaljan program Festivala biće objavljen po završetku konkursa.
Organizator zadržava pravo da izložbu predstavi do sledećeg festivala i u drugim gradovima. Takođe zadražava pravo da, u zavisnosti od radova, štampa publikaciju sa pristiglim radovima u propagandne svrhe izložbe.
Slanjem radova, autori prihvataju gore navedene stavke.
BookILL Fest 2012. godine
Na prošlogodišnji konkurs pristiglo oko 400 radova od 61 autora iz Srbije i 10 drugih zemalja (Mađarska, Rumunija, Nemačka, Slovenija, Italija, Japan, Australija, Bugarska, BIH, Hrvatska).
Žiri je selektovao oko 150 radova od 47 autora koji su bili izloženi na Salonu knjige na Novosadskom sajmu.
Online katalog izložbe Book ILL festa 2012. godine:
http://bkc.devbin.org/bookill_fest_online_katalog.pdf
Saradnja
Mladi članovi udruženja ilustratora Ilustart aktivno učestvuju u organizaciji Book ILL Festa.
Kontakt
Za sve dodatne informacije, predloge i sugestije, javiti se na e-mail: [email protected] ili telefon: 00381(0)23/781-552.
ENGLISH
BookILL Fest
Book Illustration Festival
BookILL Fest - Book Illustration Festival is organized for the second time by Banat Cultural Centre and Novi Sad Fair during the 19th International Book Fair in Novi Sad. Book Fair is going to take place from the 28th of February to 5th of March, 2013, and Book Illustration Festival is going to be organized on the 1st of March, at Novi Sad Fair.
BookILL Fest includes internet competition for the best illustration of the book, exibition of selected works, the announcement of winners, and exhibitions and lectures related to the book illustration.
The book illustration is a specific and sophisticated area in the process of the book`s design. The book is an artistic object. Its outward appearance is as important as its contents. Illustrating, designing, and equipping of books are inseparable parts of the process of book production and that`s why BookILL Fest aims to draw attention to the visual artists and to affirm the artists who illustrate books. Contests for book illustrations are very rare in the world, and thus, this festival is more important.
Registration for the Internet Contest BookILL Fest:
The contest is open for the authors from all over the world.
Each author submits 4 illustrations of the book: at least 1 illustration of the front page is required, and 3 illustrations of their own choice from the book, in digital format (JPG, TIFF, PSD format, RGB mode, 300 dpi, up to A4).
You can send everything to the e-mail address: [email protected] You can send illustrations done in all artistic and graphic techniques or computer processing. The photographs which illustrate books will be also accepted. Unpublished artistic designs, published books, scanned, completed works or just projects will be accepted as well. If the author wants, he/she can send his/her book to the following address: Banatski kulturni centar, JNA 35, 23 273, Novo Miloševo. The authors must send their personal data by email (name, surname, address, phone number, a short professional biography) titles of the works, and the specific category for submission. They should indicate whether the book was published or in the project.
The works must be sent until the 14th of February, 2013.
The categories for submission are:
1. Illustration of the poetry book
2. Illustration of the fiction book
3. Illustration of the book for children
4. Photo illustration of the book
The Announcement of the Winners and Digital Exhibition
The announcement of winners and the award ceremony will be held on March the 1st, 2013, at Novi Sad Fair, and the opening of the exhibition of selected and awarded works.
A detailed program of the Festival will be announced at the end of the competition.
The organizer reserves the right to present the exhibition during the following festival and in other towns. It also reserves the right to, depending on the forms of work, print the publication of the received works in order to exhibit and advertise them.
By submitting their works, the authors accept the above mentioned items.
BookILL Fest 2012
At last year's competition over 400 works were received by 61 authors from Serbia and 10 other countries (Hungary, Romania, Germany, Slovenia, Italy, Japan, Australia, Bulgaria, Bosnia, Croatia).
The jury selected 150 works by 47 authors that were exposed at the Book Fair in Novi Sad.
Online catalog of Book ILL Fest exibition 2012:
http://bkc.devbin.org/bookill_fest_online_katalog.pdf
Cooperation
Young members of the Association of Illustrators Ilustart actively participate in the organization of Book ILL Fest.
Contact
For additional information, comments and suggestions, contact us via email: [email protected] or phone number: 00381 (0) 23/781-552.
Festival ilustracije knjige
BookILL Fest - Festival ilustracije knjige po drugi put organizuju Banatski kulturni centar i Novosadski sajam u okviru 19. međunarodnog salona knjige u Novom Sadu.
Salon knjige će se održati od 28. februara do 5. marta 2013. godine, a sam Festival ilustracije knjige 1. marta 2013. na Novosadskom sajmu.
BookILL Fest podrazumeva internet konkurs za najbolju ilustraciju knjige, izložbu printova izabranih i nagrađenih radova, proglašenje pobednika i prateće programe.
Ilustrovanje knjiga je specifična i sofisticirana oblast u procesu dizajniranja knjiga. Knjiga je umetnički objekat. Koliko god je važna sadržina knjige, tolika je važna i njena spoljašnost. Ilustrovanje, dizajniranje i opremanje knjiga uopšte su nerazdvojni deo procesa proizvodnje knjiga i s te straneBookILL Fest teži da skrene pažnju na vizuelne umetnike i afirmiše autore koji se bave ilustrovanjem knjiga. Konkursi za ilustraciju knjige su u svetu veoma retki, a time je značaj ovog Festivala veći.
PRIJAVLJIVANJE na Internet konkurs BookILL Fest-a:
Konkurs je otvoren za autore iz celog sveta.
Svaki autor šalje 4 ilustracije knjige i to: obavezno bar 1 ilustraciju naslovne strane knjige i po sopstvenom izboru 3 ilustracije iz knjige, u digitalnoj formi (JPG, TIFF, PSD formatu, RGB modu, 300 dpi, do formata A4).
Sve poslati na e-mail adresu [email protected]
Mogu se slati ilustracije rađene u svim likovnim i grafičkim tehnikama ili kompjuterskim doradama. Dolazi u obzir i fotografija koja je u funkciji ilustracije knjige.
Mogu se slati i neobjavljena likovno-dizajnerska rešenja i objavljene knjige, kao skenirani gotovi radovi ili samo kao projekti. Ukoliko autor želi, može poslati i knjigu na sledeću adresu: Banatski kulturni centar, JNA 35, 23273, Novo Miloševo.
Autori, takođe, treba u e-mailu da pošalju svoje podatke: ime, prezime, adresa, telefon, kratka profesionalna biografija i nazive radova i u okviru koje, od dole navedenih, kategorija šalju radove. Navesti da li je knjiga objavljena ili je u projektu.
Radove slati do 14. februara 2013. godine.
Kategorije za slanje radova:
1. Ilustracija pesničke knjige
2. Ilustracija prozne knjige
3. Ilustracija knjige za decu
4. Fotoilustracija knjige
Proglašenje pobednika i digitalna izložba
Proglašenje pobednika i dodela nagrada održaće se 01. marta 2013. godine na Novosadskom sajmu, kao i otvaranje izložbe selektovanih i nagrađenih radova.
Detaljan program Festivala biće objavljen po završetku konkursa.
Organizator zadržava pravo da izložbu predstavi do sledećeg festivala i u drugim gradovima. Takođe zadražava pravo da, u zavisnosti od radova, štampa publikaciju sa pristiglim radovima u propagandne svrhe izložbe.
Slanjem radova, autori prihvataju gore navedene stavke.
BookILL Fest 2012. godine
Na prošlogodišnji konkurs pristiglo oko 400 radova od 61 autora iz Srbije i 10 drugih zemalja (Mađarska, Rumunija, Nemačka, Slovenija, Italija, Japan, Australija, Bugarska, BIH, Hrvatska).
Žiri je selektovao oko 150 radova od 47 autora koji su bili izloženi na Salonu knjige na Novosadskom sajmu.
Online katalog izložbe Book ILL festa 2012. godine:
http://bkc.devbin.org/bookill_fest_online_katalog.pdf
Saradnja
Mladi članovi udruženja ilustratora Ilustart aktivno učestvuju u organizaciji Book ILL Festa.
Kontakt
Za sve dodatne informacije, predloge i sugestije, javiti se na e-mail: [email protected] ili telefon: 00381(0)23/781-552.
ENGLISH
BookILL Fest
Book Illustration Festival
BookILL Fest - Book Illustration Festival is organized for the second time by Banat Cultural Centre and Novi Sad Fair during the 19th International Book Fair in Novi Sad. Book Fair is going to take place from the 28th of February to 5th of March, 2013, and Book Illustration Festival is going to be organized on the 1st of March, at Novi Sad Fair.
BookILL Fest includes internet competition for the best illustration of the book, exibition of selected works, the announcement of winners, and exhibitions and lectures related to the book illustration.
The book illustration is a specific and sophisticated area in the process of the book`s design. The book is an artistic object. Its outward appearance is as important as its contents. Illustrating, designing, and equipping of books are inseparable parts of the process of book production and that`s why BookILL Fest aims to draw attention to the visual artists and to affirm the artists who illustrate books. Contests for book illustrations are very rare in the world, and thus, this festival is more important.
Registration for the Internet Contest BookILL Fest:
The contest is open for the authors from all over the world.
Each author submits 4 illustrations of the book: at least 1 illustration of the front page is required, and 3 illustrations of their own choice from the book, in digital format (JPG, TIFF, PSD format, RGB mode, 300 dpi, up to A4).
You can send everything to the e-mail address: [email protected] You can send illustrations done in all artistic and graphic techniques or computer processing. The photographs which illustrate books will be also accepted. Unpublished artistic designs, published books, scanned, completed works or just projects will be accepted as well. If the author wants, he/she can send his/her book to the following address: Banatski kulturni centar, JNA 35, 23 273, Novo Miloševo. The authors must send their personal data by email (name, surname, address, phone number, a short professional biography) titles of the works, and the specific category for submission. They should indicate whether the book was published or in the project.
The works must be sent until the 14th of February, 2013.
The categories for submission are:
1. Illustration of the poetry book
2. Illustration of the fiction book
3. Illustration of the book for children
4. Photo illustration of the book
The Announcement of the Winners and Digital Exhibition
The announcement of winners and the award ceremony will be held on March the 1st, 2013, at Novi Sad Fair, and the opening of the exhibition of selected and awarded works.
A detailed program of the Festival will be announced at the end of the competition.
The organizer reserves the right to present the exhibition during the following festival and in other towns. It also reserves the right to, depending on the forms of work, print the publication of the received works in order to exhibit and advertise them.
By submitting their works, the authors accept the above mentioned items.
BookILL Fest 2012
At last year's competition over 400 works were received by 61 authors from Serbia and 10 other countries (Hungary, Romania, Germany, Slovenia, Italy, Japan, Australia, Bulgaria, Bosnia, Croatia).
The jury selected 150 works by 47 authors that were exposed at the Book Fair in Novi Sad.
Online catalog of Book ILL Fest exibition 2012:
http://bkc.devbin.org/bookill_fest_online_katalog.pdf
Cooperation
Young members of the Association of Illustrators Ilustart actively participate in the organization of Book ILL Fest.
Contact
For additional information, comments and suggestions, contact us via email: [email protected] or phone number: 00381 (0) 23/781-552.
25.1.2013.
Art House Cinema Kriterion, Sarajevo, BiH
Inspirativan vikend u Sarajevu
Ovaj vikend svi posjetioci art kina Kriterion mogu pronaći nešto za svoj ukus. Večernji termini rezervisani su za DJ nastup ekipe Noise Lab-a u petak, kao i četvrtu svirku sarajevske post-rock eksperimentalne grupe InTheRoom u subotu, koja će biti praćena projekcijama filmova svjetske asocijacije animatora ASIFA, izložbom strip crteža autora Berina Tuzlića i još jednim DJ-partijem na kojem će nastupati Audio InFunktion i Zlijay.
Početak oba spomenuta događaja planiran je u 22:00h, a cijene ulaza su 3 KM u petak i 5 KM u subotu.
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ART LABORATORY BERLIN - 26.1.-10.3.2013. - Berlin, Germany
Madi Boyd
The Point of Perception, 2009/13
(installation view)
Courtesy of the artist and Art Laboratory Berlin
SYNAESTHESIA / 2: Space and Perception
Madi Boyd
Carrie C Firman
26 January - 10 March, 2013
Inquiries into the nature of Space and Perception are the basis of Art Laboratory Berlin's second exhibition in the Synaesthesia series. Synaesthesia, the experience of two or more sensory impressions at the same time, is both an artistic paradigm and neurological phenomenon. Two installations by Madi Boyd and Carrie C Firman explore the connection between perception and experience of mind and body from a synaesthetic point of view.
Madi Boyd is a synaesthete from Great Britain, whose artistic work focuses on perception and the brain. In collaboration with neuro-scientists, Dr. Mark Lythgoe and Dr. Beau Lotto, from University College London her work incorporates and combines installation, film and sculpture. Her recent projectThe Point of Perception explores how much information the human brain needs in order to know what it is looking at. It is an art experience and scientific arena about vision. The installation uses moving image and built environments to confuse depth perception and is designed to act specifically on the human eye and brain to create a space of uncertainty. A newly developed version of the project will be presented at Art Laboratory Berlin with the addition of sound and colour. The idea is to assign musical notes and colours to specific points in the gridded space, in order to explore perception of geometric space and sound.
Madi Boyd about her artistic work: "My work combines constructed environments and projected films to create immersive installations investigating the interaction between moving image, space, and the brain. I see the screen as sculpture and light as paint on the canvas of dark space."
Carrie C Firman is an emerging electronic artist from the US. She is a synaesthete and her work is inspired by studying and experiencing the crossing of senses. She sees synaesthesia not only as a sensory phenomenon, but also a fantastic world interface, responsible for completely unique perceptual experiences. Her current work encourages its participants to reconsider their perception as an entirely unique phenomenon, helping them to come to the realization that even most basic level of perception differs widely between otherwise similar individuals. Firman's installation Synexperience as well as her interactive digital work My Synesthetic Library invite viewers to share in her own unique perceptual experience of the world.
Carrie C Firman commented her artistic practice as follows: "The installation on display demonstrates the interactivity of my viewers I often require stepping into it, sounds and images will play, extracted from my own internal Synaesthetic library."
Regine Rapp & Christian de Lutz (curators)
ART LABORATORY BERLIN
Prinzenallee 34
13359 Berlin
Germany
T: +49 (0)172/176 55 59
Madi Boyd
Carrie C Firman
26 January - 10 March, 2013
Inquiries into the nature of Space and Perception are the basis of Art Laboratory Berlin's second exhibition in the Synaesthesia series. Synaesthesia, the experience of two or more sensory impressions at the same time, is both an artistic paradigm and neurological phenomenon. Two installations by Madi Boyd and Carrie C Firman explore the connection between perception and experience of mind and body from a synaesthetic point of view.
Madi Boyd is a synaesthete from Great Britain, whose artistic work focuses on perception and the brain. In collaboration with neuro-scientists, Dr. Mark Lythgoe and Dr. Beau Lotto, from University College London her work incorporates and combines installation, film and sculpture. Her recent projectThe Point of Perception explores how much information the human brain needs in order to know what it is looking at. It is an art experience and scientific arena about vision. The installation uses moving image and built environments to confuse depth perception and is designed to act specifically on the human eye and brain to create a space of uncertainty. A newly developed version of the project will be presented at Art Laboratory Berlin with the addition of sound and colour. The idea is to assign musical notes and colours to specific points in the gridded space, in order to explore perception of geometric space and sound.
Madi Boyd about her artistic work: "My work combines constructed environments and projected films to create immersive installations investigating the interaction between moving image, space, and the brain. I see the screen as sculpture and light as paint on the canvas of dark space."
Carrie C Firman is an emerging electronic artist from the US. She is a synaesthete and her work is inspired by studying and experiencing the crossing of senses. She sees synaesthesia not only as a sensory phenomenon, but also a fantastic world interface, responsible for completely unique perceptual experiences. Her current work encourages its participants to reconsider their perception as an entirely unique phenomenon, helping them to come to the realization that even most basic level of perception differs widely between otherwise similar individuals. Firman's installation Synexperience as well as her interactive digital work My Synesthetic Library invite viewers to share in her own unique perceptual experience of the world.
Carrie C Firman commented her artistic practice as follows: "The installation on display demonstrates the interactivity of my viewers I often require stepping into it, sounds and images will play, extracted from my own internal Synaesthetic library."
Regine Rapp & Christian de Lutz (curators)
ART LABORATORY BERLIN
Prinzenallee 34
13359 Berlin
Germany
T: +49 (0)172/176 55 59
YANCEY RICHARDSON GALLERY, New York - 10.1.-16.2.2013., NY- USA
David Hilliard
The Tale Is True, 2012
Archival Pigment Print (2 Panels)
24 x 40 inches overall (Edition of 12), and 40 x 60 inches overall (Edition of 7)
Courtesy of Yancey Richardson Gallery, New York
DAVID HILLIARD
The Tale is True
January 10 – February 16, 2013
This tale is true, and mine. It tells How the sea took me, swept me back And forth in sorrow and fear and pain, Showed me suffering in a hundred ships, In a thousand ports, and in me…
- The Seafarer (Old English Poem)
Yancey Richardson Gallery is pleased to present The Tale is True, an exhibition of new photographs byDavid Hilliard. In this new body of work, Hilliard continues to deconstruct issues surrounding familial relation-ships, and the struggle to secure a sense of self and place in a chaotic world. For over 20 years Hilliard has intermittently made photographs of his father, often including himself, exploring their relationship and the process of aging. In The Tale is True, Hilliard returns to the father-son narrative, using his multi-panel panoramas (polyptychs) to explore a family’s perseverance as they struggle to avoid an entropic slide toward ruin. Their Cape Cod family home, a legacy of generations of Yankee prosperity and tradition, serves as a symbol of identity, entrapment and history. Within these photographs, Hilliard unfolds the story of a father and son trying to maintain their physical and emotional footing while being swept up in the confluence of a complicated past and uncertain future. The tension between disillusionment and hope pervades this narrative, and is further punctuated by allegorical and symbolist cues within Hilliard’s multi-panel arrangements.
Much like the polyptychs of Renaissance ecclesiastical painting, each of Hilliard’s photographs offers the viewer the opportunity to explore from panel to panel the universal story of man’s frailty, and travails of the human spirit. Just as earlier paintings displayed stories or religious histories coupled with the mystical and mythological, Hilliard utilizes narrative and metaphor to reveal philosophical and spiritual themes of fate and faith, and the necessity of patience in adversity.
The form, concept and titling of the series is explicitly drawn from The Seafarer, an Old English elegy which tells the story of an old seafarer facing the hardships of his past in an attempt to create meaning out of his life. Hilliard’s poetic reference finds visual presence within the details of his images: figurines of sea captains, paintings of tall ships under sail, slivers of shimmering ocean glimpsed beyond the ruin of the house. The poem, though mournful, ends with an uncertain, but lasting beauty. Hilliard explains, "it’s my intention that (the photographs) serve as a testament to perseverance; within even the bleakest of histories there exist threads of enduring hope, reminding us that even in the face of great adversity, we adapt and endure."
David Hilliard received his BFA from the Massachusetts College of Art in Boston and an MFA from Yale University School of Art. A Guggenheim fellow and a Fulbright recipient, he has received numerous awards and honors. His work is included in the permanent collections of at the Whitney Museum of American Art in New York, the Museum of Fine Arts in Boston, the Museum of Contemporary Art in Los Angeles, the Art Institute of Chicago, and the Philadelphia Museum of Art. He recently completed tenure as Artist in Residence at Dartmouth College and is currently Director of Post-Baccalaureate Program in Photography at the Massachusetts College of Art and Design.
The Tale is True
January 10 – February 16, 2013
This tale is true, and mine. It tells How the sea took me, swept me back And forth in sorrow and fear and pain, Showed me suffering in a hundred ships, In a thousand ports, and in me…
- The Seafarer (Old English Poem)
Yancey Richardson Gallery is pleased to present The Tale is True, an exhibition of new photographs byDavid Hilliard. In this new body of work, Hilliard continues to deconstruct issues surrounding familial relation-ships, and the struggle to secure a sense of self and place in a chaotic world. For over 20 years Hilliard has intermittently made photographs of his father, often including himself, exploring their relationship and the process of aging. In The Tale is True, Hilliard returns to the father-son narrative, using his multi-panel panoramas (polyptychs) to explore a family’s perseverance as they struggle to avoid an entropic slide toward ruin. Their Cape Cod family home, a legacy of generations of Yankee prosperity and tradition, serves as a symbol of identity, entrapment and history. Within these photographs, Hilliard unfolds the story of a father and son trying to maintain their physical and emotional footing while being swept up in the confluence of a complicated past and uncertain future. The tension between disillusionment and hope pervades this narrative, and is further punctuated by allegorical and symbolist cues within Hilliard’s multi-panel arrangements.
Much like the polyptychs of Renaissance ecclesiastical painting, each of Hilliard’s photographs offers the viewer the opportunity to explore from panel to panel the universal story of man’s frailty, and travails of the human spirit. Just as earlier paintings displayed stories or religious histories coupled with the mystical and mythological, Hilliard utilizes narrative and metaphor to reveal philosophical and spiritual themes of fate and faith, and the necessity of patience in adversity.
The form, concept and titling of the series is explicitly drawn from The Seafarer, an Old English elegy which tells the story of an old seafarer facing the hardships of his past in an attempt to create meaning out of his life. Hilliard’s poetic reference finds visual presence within the details of his images: figurines of sea captains, paintings of tall ships under sail, slivers of shimmering ocean glimpsed beyond the ruin of the house. The poem, though mournful, ends with an uncertain, but lasting beauty. Hilliard explains, "it’s my intention that (the photographs) serve as a testament to perseverance; within even the bleakest of histories there exist threads of enduring hope, reminding us that even in the face of great adversity, we adapt and endure."
David Hilliard received his BFA from the Massachusetts College of Art in Boston and an MFA from Yale University School of Art. A Guggenheim fellow and a Fulbright recipient, he has received numerous awards and honors. His work is included in the permanent collections of at the Whitney Museum of American Art in New York, the Museum of Fine Arts in Boston, the Museum of Contemporary Art in Los Angeles, the Art Institute of Chicago, and the Philadelphia Museum of Art. He recently completed tenure as Artist in Residence at Dartmouth College and is currently Director of Post-Baccalaureate Program in Photography at the Massachusetts College of Art and Design.
JVA at JERWOOD SPACE, London - 16.1.-24.2.2013., London, UK
Ed Atkins
Material Witness OR A Liquid Cop: Episode 1 - A Pilot
installation view
Courtesy Jerwood Visual Arts
THE JERWOOD/FILM AND VIDEO UMBRELLA AWARDS
TOMORROW NEVER KNOWS:
Ed Atkins and Naheed Raza
Jerwood Visual Arts at Jerwood Space, London, SE1: 16 January – 24 February 2013
CCA, Glasgow: 8 June – 20 July 2013
This January, the recipients of the Jerwood/Film and Video Umbrella Awards, Ed Atkins and Naheed Raza, premiere their ambitious new commissions at Jerwood Visual Arts (JVA), Jerwood Space, London. Presented as the second part of the exhibition Tomorrow Never Knows, the new works will be on show from 16 January until 24 February 2013.
The exhibition is the culmination of the first two-year cycle of the Jerwood/Film and Video Umbrella Awards. This initiative occupies a distinctive place alongside other awards for contemporary moving-image artists. It supports young and emerging talents and focuses on practical, developmental support, in which the nurturing of ideas and expertise is consolidated by substantial production opportunities. Alongside this support of future talent, the project speculates on ideas and images of ‘the future’, and different perceptions of that future in the present and in the past.
Naheed Raza’s new commission continues her exploration of the phenomenon of cryonics. This technologically-assisted attempt to extend the span of human life still has its acolytes around the world but also seems strangely dated, like the product of Sixties science-fiction. Raza’s large-scale projection work, filmed at different institutes in the United States, delves deeper into our complex and often ambiguous relationship with death, contrasting individuals’ belief in scientific progress with the age-old fantasy of overcoming nature's ultimate limit.
If cryonics seeks to preserve the body indefinitely, contemporary computer imaging seeks to render it in ever more life-like ways. Although modern motion-capture techniques can seem either cold and clinical, or alien and uncanny, Ed Atkins’ work evokes that spark of vitality and individuality that is often to be found in visceral actions or inadvertent gestures. Where the subjects of Raza’s video are stored, in suspended animation, at sub-zero temperatures, Atkins sets his piece at the bottom of the ocean, as if implying both the murky, latent presence of the unconscious and the way it threatens to surface at any moment.
The Jerwood/Film and Video Umbrella Awards have, over the course of their two-year span, considered the work of a 50-strong shortlist of nominated artists, and developed and exhibited four pilot projects from which two have now been extended into substantial commissions. The commissions focus on past and present perceptions of ‘the future’. Selected from a quartet of artists (alongside Emma Hart and Corin Sworn) who first showed their pilot pieces at Jerwood Visual Arts in the spring of 2012, Atkins and Raza have been working closely with Film and Video Umbrella on these new commissions.
JVA at Jerwood Space
171 Union Street
London SE1 OLN
T: + 44 (0) 20 7654 0171
Mon-Fri 10am-5pm, Sat & Sun 10am-3pm
TOMORROW NEVER KNOWS:
Ed Atkins and Naheed Raza
Jerwood Visual Arts at Jerwood Space, London, SE1: 16 January – 24 February 2013
CCA, Glasgow: 8 June – 20 July 2013
This January, the recipients of the Jerwood/Film and Video Umbrella Awards, Ed Atkins and Naheed Raza, premiere their ambitious new commissions at Jerwood Visual Arts (JVA), Jerwood Space, London. Presented as the second part of the exhibition Tomorrow Never Knows, the new works will be on show from 16 January until 24 February 2013.
The exhibition is the culmination of the first two-year cycle of the Jerwood/Film and Video Umbrella Awards. This initiative occupies a distinctive place alongside other awards for contemporary moving-image artists. It supports young and emerging talents and focuses on practical, developmental support, in which the nurturing of ideas and expertise is consolidated by substantial production opportunities. Alongside this support of future talent, the project speculates on ideas and images of ‘the future’, and different perceptions of that future in the present and in the past.
Naheed Raza’s new commission continues her exploration of the phenomenon of cryonics. This technologically-assisted attempt to extend the span of human life still has its acolytes around the world but also seems strangely dated, like the product of Sixties science-fiction. Raza’s large-scale projection work, filmed at different institutes in the United States, delves deeper into our complex and often ambiguous relationship with death, contrasting individuals’ belief in scientific progress with the age-old fantasy of overcoming nature's ultimate limit.
If cryonics seeks to preserve the body indefinitely, contemporary computer imaging seeks to render it in ever more life-like ways. Although modern motion-capture techniques can seem either cold and clinical, or alien and uncanny, Ed Atkins’ work evokes that spark of vitality and individuality that is often to be found in visceral actions or inadvertent gestures. Where the subjects of Raza’s video are stored, in suspended animation, at sub-zero temperatures, Atkins sets his piece at the bottom of the ocean, as if implying both the murky, latent presence of the unconscious and the way it threatens to surface at any moment.
The Jerwood/Film and Video Umbrella Awards have, over the course of their two-year span, considered the work of a 50-strong shortlist of nominated artists, and developed and exhibited four pilot projects from which two have now been extended into substantial commissions. The commissions focus on past and present perceptions of ‘the future’. Selected from a quartet of artists (alongside Emma Hart and Corin Sworn) who first showed their pilot pieces at Jerwood Visual Arts in the spring of 2012, Atkins and Raza have been working closely with Film and Video Umbrella on these new commissions.
JVA at Jerwood Space
171 Union Street
London SE1 OLN
T: + 44 (0) 20 7654 0171
Mon-Fri 10am-5pm, Sat & Sun 10am-3pm
GALERIE CATHERINE BASTIDE, Brussels -27.1.-23.3.2013.
Sebastian Diaz Morales
Insight, film still, 2012
Courtesy of the artist and Galerie Catherine Bastide, Brussels
SEBASTIAN DIAZ MORALES
Ficcionario
27 January - 23 March 2013
Galerie Catherine Bastide is pleased to announce the solo exhibition Ficcionario by Argentinian born, Amsterdam based artist Sebastian Diaz Morales (1975). Presenting three ambitious video works;Insight along with accompanying storyboard, Pasajes and Smoke Signals. An archeologist of the image, Diaz Morales questions perception itself in a trio of his most arresting films to date.
Abstraction today is no longer that of the map, the double, the mirror or the concept. Simulation is no longer that of a territory, a referential being or a substance. It is the generation by models of a real without origin or reality: a hyperreal. The territory no longer precedes the map, nor survives it. Henceforth, it is the map that precedes the territory - PRECESSION OF SIMULACRA - it is the map that engenders the territory....(Baudrillard, 1994, p. 1)
Insight is the total abstraction. A carefully assembled film-crew appears like a tableau vivant facing the viewer. Then suddenly, they shatter- an analogy of breaking through the surface to expose the simulation- a mirror slowly explodes into a thousand pieces. Filmed in beautifully rendered high definition Insight is a tribute to the camera obscuras of old mingled with a critical spirit directed towards the mass media today. Regarded as a phenomenon brought about by a world lacking distinction between real and simulacra, Diaz Morales borrows media industry tactics to expose and undermine. Revealing rather than concealing his methods allows for a moment of realisation to occur. As the pieces of glass crumble into tiny galaxies, context is deconstructed and the universalising tendency of Diaz Morales' practise literally portrayed. With timeless grace the artist contemplates the nature of existence.
Informed by the philosophy of Jorge Luis Borges' text 'On Exactitude in Science' Diaz Morales presents a reformulation of reality. Here, a fictional Empire builds a life-size map identical to the Empire they inhabit. A psycho-geographic conceit- the map becomes the territory, the territory the map. The notion of the 'map' as a co-existent reality anchors Diaz Morales’ works, believing that we are all inhabitants of such maps, and the territory a long-lost relic.
As Borges’ story concludes with the destruction of the map by later generations, Diaz Morales' continuous construction and destruction of realities is symptomatic of a world where the original no longer exists, only a succession of simulations. Diaz Morales is the inventor of scenarios of infinite potential. Renouncing the limitations of narrative in favour of something less fixed, directionless-ness presents itself as a timely, though uncomfortable agent of endless and pointless opportunity.
Pasajes is a grounded allegory of such endless realities; inviting the viewer along through door after door of interlinked, unconnected worlds; a cobblers, an abandoned building, a gym, a museum. A labyrinth-like demonstration of the versatility of reality unfolds. Scenes of abandoned grandeur follow the everyday whilst the walking figure remains a passive subject of his constantly altering environment - a ceaseless progression, though not one that necessarily indicates positive change. We see cities that neglect their past in favour of a malfunctioning future. Although localised in the city of Buenos Aires, Diaz Morales seeks the essence of the nature of all cities. At any moment the door could open on your parallel reality, into the room you occupy...
...and into the map you inhabit, the one that has ordered your perception of the world. Meanwhile - elaborating on the dangerous 'realities' created by the mass media - Smoke Signals offers a different optional perception. It is a representation of a street protest with all the specificities removed in favour of a newsprint-like filter that obscures detail. An attempt at reclassifying a widely recognised media perpetrated motif or, what could be called an act of anti-propaganda. Turning the camera on itself Diaz Morales re-appropriates its function. Confronting the viewer with its indifferent gaze, it becomes a troublesome symbol of reality multiplied and magnified.
Whether or not you subscribe to the philosophy of the co-existent maps, Ficcionario leaves a lingering impression; reality is malleable, what’s yours?
GALERIE CATHERINE BASTIDE
Rue Vandenbrandenstraat 1
1000 Brussels
Belgium
T: + 32 2 646 29 71
E: info @ catherinebastide.com
Ficcionario
27 January - 23 March 2013
Galerie Catherine Bastide is pleased to announce the solo exhibition Ficcionario by Argentinian born, Amsterdam based artist Sebastian Diaz Morales (1975). Presenting three ambitious video works;Insight along with accompanying storyboard, Pasajes and Smoke Signals. An archeologist of the image, Diaz Morales questions perception itself in a trio of his most arresting films to date.
Abstraction today is no longer that of the map, the double, the mirror or the concept. Simulation is no longer that of a territory, a referential being or a substance. It is the generation by models of a real without origin or reality: a hyperreal. The territory no longer precedes the map, nor survives it. Henceforth, it is the map that precedes the territory - PRECESSION OF SIMULACRA - it is the map that engenders the territory....(Baudrillard, 1994, p. 1)
Insight is the total abstraction. A carefully assembled film-crew appears like a tableau vivant facing the viewer. Then suddenly, they shatter- an analogy of breaking through the surface to expose the simulation- a mirror slowly explodes into a thousand pieces. Filmed in beautifully rendered high definition Insight is a tribute to the camera obscuras of old mingled with a critical spirit directed towards the mass media today. Regarded as a phenomenon brought about by a world lacking distinction between real and simulacra, Diaz Morales borrows media industry tactics to expose and undermine. Revealing rather than concealing his methods allows for a moment of realisation to occur. As the pieces of glass crumble into tiny galaxies, context is deconstructed and the universalising tendency of Diaz Morales' practise literally portrayed. With timeless grace the artist contemplates the nature of existence.
Informed by the philosophy of Jorge Luis Borges' text 'On Exactitude in Science' Diaz Morales presents a reformulation of reality. Here, a fictional Empire builds a life-size map identical to the Empire they inhabit. A psycho-geographic conceit- the map becomes the territory, the territory the map. The notion of the 'map' as a co-existent reality anchors Diaz Morales’ works, believing that we are all inhabitants of such maps, and the territory a long-lost relic.
As Borges’ story concludes with the destruction of the map by later generations, Diaz Morales' continuous construction and destruction of realities is symptomatic of a world where the original no longer exists, only a succession of simulations. Diaz Morales is the inventor of scenarios of infinite potential. Renouncing the limitations of narrative in favour of something less fixed, directionless-ness presents itself as a timely, though uncomfortable agent of endless and pointless opportunity.
Pasajes is a grounded allegory of such endless realities; inviting the viewer along through door after door of interlinked, unconnected worlds; a cobblers, an abandoned building, a gym, a museum. A labyrinth-like demonstration of the versatility of reality unfolds. Scenes of abandoned grandeur follow the everyday whilst the walking figure remains a passive subject of his constantly altering environment - a ceaseless progression, though not one that necessarily indicates positive change. We see cities that neglect their past in favour of a malfunctioning future. Although localised in the city of Buenos Aires, Diaz Morales seeks the essence of the nature of all cities. At any moment the door could open on your parallel reality, into the room you occupy...
...and into the map you inhabit, the one that has ordered your perception of the world. Meanwhile - elaborating on the dangerous 'realities' created by the mass media - Smoke Signals offers a different optional perception. It is a representation of a street protest with all the specificities removed in favour of a newsprint-like filter that obscures detail. An attempt at reclassifying a widely recognised media perpetrated motif or, what could be called an act of anti-propaganda. Turning the camera on itself Diaz Morales re-appropriates its function. Confronting the viewer with its indifferent gaze, it becomes a troublesome symbol of reality multiplied and magnified.
Whether or not you subscribe to the philosophy of the co-existent maps, Ficcionario leaves a lingering impression; reality is malleable, what’s yours?
GALERIE CATHERINE BASTIDE
Rue Vandenbrandenstraat 1
1000 Brussels
Belgium
T: + 32 2 646 29 71
E: info @ catherinebastide.com
BELFAST EXPOSED PHOTOGRAPHY- 18.1.- 8.3.2012 - Belfast, Northern Ireland
Desk, Sassafras Community, Tennessee © Lucas Foglia, 2009
LUCAS FOGLIA
A Natural Order
18 January to 8 March 2013
Belfast Exposed is pleased to present A Natural Order by Lucas Foglia, which looks at the lives of communities of people across the United States who have chosen to live ‘off the grid’:
"I grew up with my extended family on a small farm in the suburbs of New York City. While malls and supermarkets developed around us, we heated our house with wood, farmed and canned our food, and bartered the plants we grew for everything from shoes to dental work. But while my family followed many of the principles of the back-to-the-land movement, by the time I was eighteen we owned three tractors, four cars, and five computers. This mixture of the modern world in our otherwise rustic life made me curious to see what a completely self-sufficient way of living might look like.
From 2006 through 2010, I traveled throughout the southeastern United States befriending, photographing, and interviewing a network of people who left cities and suburbs to live off the grid. Motivated by environmental concerns, religious beliefs, or predictions of economic collapse, they build their homes from local materials, obtain their water from nearby springs, and hunt, gather, or grow their own food.
All the people in my photographs are working to maintain a self-sufficient lifestyle, but no one I found lives in complete isolation from the mainstream. Many have websites that they update using laptop computers, and cell phones that they charge on car batteries or solar panels. They do not wholly reject the modern world. Instead, they step away from it and choose the parts that they want to bring with them."
- Lucas Foglia, 2012
Lucas Foglia (b. 1983) was raised on a small family farm in New York and is currently based in San Francisco. A graduate of Brown University and the Yale School of Art, Lucas exhibits and publishes his photographs internationally. His work is in the permanent collections of the Museum of Fine Arts Houston, the Philadelphia Museum of Art, the Pilara Foundation and the Rhode Island School of Design Museum of Fine Art. His photographs have been published in Aperture Magazine, the New York Times Magazine, the Washington Post Magazine, British Journal of Photography, Contact Sheet, Wired and PDN’s 30 among others. His first book, A Natural Order, was published by Nazraeli Press in 2012.
A Natural Order is supported by Arts Council Northern Ireland, Belfast City Council and Department of Social Development.
About Belfast Exposed
Founded in 1983 as a community photography initiative, Belfast Exposed Photography now functions as a gallery for contemporary photography with emphasis on commissioning and publication of new work. It holds a community photography archive and runs an extensive educational outreach network.
BELFAST EXPOSED PHOTOGRAPHY
The Exchange Place
23 Donegall Street
BT1 2FF, Belfast
Northern Ireland
T: 44 028 90 23 09 65
BELFAST EXPOSED PHOTOGRAPHY
Lucas Foglia
A Natural Order
18 January to 8 March 2013
Belfast Exposed is pleased to present A Natural Order by Lucas Foglia, which looks at the lives of communities of people across the United States who have chosen to live ‘off the grid’:
"I grew up with my extended family on a small farm in the suburbs of New York City. While malls and supermarkets developed around us, we heated our house with wood, farmed and canned our food, and bartered the plants we grew for everything from shoes to dental work. But while my family followed many of the principles of the back-to-the-land movement, by the time I was eighteen we owned three tractors, four cars, and five computers. This mixture of the modern world in our otherwise rustic life made me curious to see what a completely self-sufficient way of living might look like.
From 2006 through 2010, I traveled throughout the southeastern United States befriending, photographing, and interviewing a network of people who left cities and suburbs to live off the grid. Motivated by environmental concerns, religious beliefs, or predictions of economic collapse, they build their homes from local materials, obtain their water from nearby springs, and hunt, gather, or grow their own food.
All the people in my photographs are working to maintain a self-sufficient lifestyle, but no one I found lives in complete isolation from the mainstream. Many have websites that they update using laptop computers, and cell phones that they charge on car batteries or solar panels. They do not wholly reject the modern world. Instead, they step away from it and choose the parts that they want to bring with them."
- Lucas Foglia, 2012
Lucas Foglia (b. 1983) was raised on a small family farm in New York and is currently based in San Francisco. A graduate of Brown University and the Yale School of Art, Lucas exhibits and publishes his photographs internationally. His work is in the permanent collections of the Museum of Fine Arts Houston, the Philadelphia Museum of Art, the Pilara Foundation and the Rhode Island School of Design Museum of Fine Art. His photographs have been published in Aperture Magazine, the New York Times Magazine, the Washington Post Magazine, British Journal of Photography, Contact Sheet, Wired and PDN’s 30 among others. His first book, A Natural Order, was published by Nazraeli Press in 2012.
A Natural Order is supported by Arts Council Northern Ireland, Belfast City Council and Department of Social Development.
About Belfast Exposed
Founded in 1983 as a community photography initiative, Belfast Exposed Photography now functions as a gallery for contemporary photography with emphasis on commissioning and publication of new work. It holds a community photography archive and runs an extensive educational outreach network.
BELFAST EXPOSED PHOTOGRAPHY
The Exchange Place
23 Donegall Street
BT1 2FF, Belfast
Northern Ireland
T: 44 028 90 23 09 65
BELFAST EXPOSED PHOTOGRAPHY
Lucas Foglia
22.1.2013.
Autor DIOGEN pro kultura magazina Dr. Adolf P. Shvedchikov
predložen je, u ime Poetske asocijacije sa Malte,
za Nobelovu nagradu za književnost 2013.g.
Glavni i odgovorni urednik našeg magazina, Sabahudin Hadžialić je također,
na Adolfov ljubazni zahtjev, napisao, u svoje ime, preporuku za nominaciju našeg autora.
Author of DIOGEN pro culture magazine, Dr. Adolf P. Shedhikov
have been nominated for Nobel prize for literature 2013 by
Maltese
Poets Association
Our Editor in chief, Sabahudin Hadzialic also wrote, per Adolf's kind request, recommendation for nomination from his side also.
21.1.2013.
Međunarodni festival Sarajevo "Sarajevska zima" počinje 7.02.2013.
3. Poetski maraton DIOGEN je 21.3.2013.
International festival Sarajevo "Sarajevo winter" starts 7.02.2013.
3. Poetry marathon DIOGEN is on 21.3.2013.
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15.1.2013.
Gostovanje našeg urednika uz predstavljanje poetskog i proznog opusa - na poziv kolege pjesnika Admirala Mahica - (English down below), koordinatora programa Književnog kruga Meša Selimović iz Sarajeva, u subotu, 19.1.2013.g. sa početkom u 12:00 (tačno u podne) u prostoru ENKIDU (pored restorana DVA RIBARA, Čobanija 8, preko puta Glavne sarajevske pošte, ali i uz njegove goste, pjesnike i prijatelje iz...Tuzle: Jagoda Ilicic i Niho Mesic (Nihad Mesic River)....Zenice: Smajil Durmišević...Sarajeva: Goran Vrhunc, Irena Marić i Mirza Okić.: http://www.radiosarajevo.ba/novost/99951
Our editor as a guest through the presentation of poetry and prose opus - Invited by the colleague poet Admiral Mahic, coordinator of the Programme of the Literature circle Mesa Selimovic from Sarajevo, on Saturday, 19.1.2013. at 12:00 a.m. (high noon) within the premises of ENKIDU (besides restouran DVA RIBARA, Street Čobanija 8, acroos the street of main Sarajevo Post office), but also with his guests -poets and poetess and my friends from..Tuzla: Jagoda Ilicic and Nihad Mesic River...Zenica: Smajil Durmisevic...Sarajevo: Irena Maric, Goran Vrhunc and Mirza Okic.
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11.1.2013.
Editorial board of DIOGEN pro culture magazine supports
Document which states "Slovenian demand radical changes..."
Disolution and horror of former Yugoslavia war(s) 1991-1995
started in Slovenia 22 years ago...
Nowadays new, but different kind of awakening happens...Who knows, maybe something similar might happen in the former Yugoslav republics and provinces in the coming months and years.
The people is speaking in Slovenia!
Not just speaking, but demand radical changes!
As magazine for art, culture and education we support Document which was, among others, singed by Coordinating Committee for Cultural Slovenia and Slovenian Writer Association as well.
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DECISION OF THE JURY MADE ON
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Magazine will be published on 28.2.2013.
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The best authors among 109 poets and poetess from 37 countries worldwide have been chosen by the Jury:
Sabahudin Hadžialić, Editor in chief and founder DIOGEN pro culture magazine and
Giuseppe Napolitano, director and founder La stanza del poeta
Sabahudin Hadžialić, Editor in chief and founder DIOGEN pro culture magazine and
Giuseppe Napolitano, director and founder La stanza del poeta
10.1.2013. - THE WINNERS ARE:
1. Krystyna Lenkowska, Krystyna Lenkowska, Rzeszów, Poland
2. Giorgio Bolla, Padova, Italy
3. Jeton Kelmendi, Brussels,
Belgium
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1.
Poland
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Italy
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Belgium
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09.1.2013.
In memoriam Maruša Krese, Ljubljana, Slovenija
pjesnik, prozni pisac
(13 April 1947 – 7 January 2013)
Redakcija DIOGEN pro kultura magazina izražava iskreno saučešće porodici/obitelji
OTIŠLA JE DRAGA PRIJATELJICA MARUŠA KRESE
Najbolje bi bilo reći: otišla je od nas zauvijek izuzetna, nezamjenjiva prijateljica Sarajeva. Veliki i važan dio svog života posvetila je Sarajevu, posebno u ratnom periodu. Između 1992. i 1997. godine živjela je u Berlinu i Ljubljani, ali se svakih nekoliko mjeseci vraćala Sarajevu kao da joj je ono dom. I bilo joj je, u stvari, takvoj kakva je, Sarajevo dom: ovdje je dolazila kao neka umjetnička majka, pretovarena namirnicama i novcima za pozorištarce, umjetnike, pisce, profesore, radosna što nam može u tom apokaliptičnom užasu pružiti makar tren radosti. Donosila je posebno cigarete, koje je štedro i nesebično dijelila gdje godi bi se našla, a ne treba ni pričati šta su cigarete značile umjetnicima u ratnom užasu Sarajeva.
Krenula je 1993. godine Maruša Krese po svijetu proseći milost i razumijevanje za opkoljeni grad. Nije bila ničiji službenik zadužen poslom za Sarajevo. Sama je odlučila da Sarajevo bude njena životna misija. Držala je političke i sindikalne govore, pisala pisma velikim i važnim, kao i malim i nevažnim, kako se, eto, na koncu 21. stoljeća ubija jedna sjajna, multietnička kultura, jedan veličanstveni grad koji bi trebalo da bude na čast i ugled Evropi, a koja kao od kuge okreće glavu od njega i pravi se da ne razumije i vidi ko tu strada i zašto strada.
Rodila se u Ljubljani 1947. godine. Potom je živjela u SAD, Holandiji i Engleskoj. Po diktatu književnosti, ljubavi i posla našla u Berlinu, kao intelektualka, psihoterapeutkinja i pjesnikinja, gdje se rodila po drugi put. A treći put se rodila u Sarajevu, kad smo je prigrlili kao sestru koja razumije i blaži naše patnje. Iz te sućuti nastala je knjiga poezije Sarajevo ljubavi moja, koju je 1994. godine objavio Radio ZID.
Objavila je sedam knjiga poezije, te knjigu Vsi moji božiči, za koju je 2008. godine dobila nagradu Fabula za najbolju prozu. Život je okončala u rodnom gradu, s porodicom i prijateljima. Za svoje djelovanje nagrađena je Križem za zasluge SR Njemačke 1997.
Ferida Duraković
Najbolje bi bilo reći: otišla je od nas zauvijek izuzetna, nezamjenjiva prijateljica Sarajeva. Veliki i važan dio svog života posvetila je Sarajevu, posebno u ratnom periodu. Između 1992. i 1997. godine živjela je u Berlinu i Ljubljani, ali se svakih nekoliko mjeseci vraćala Sarajevu kao da joj je ono dom. I bilo joj je, u stvari, takvoj kakva je, Sarajevo dom: ovdje je dolazila kao neka umjetnička majka, pretovarena namirnicama i novcima za pozorištarce, umjetnike, pisce, profesore, radosna što nam može u tom apokaliptičnom užasu pružiti makar tren radosti. Donosila je posebno cigarete, koje je štedro i nesebično dijelila gdje godi bi se našla, a ne treba ni pričati šta su cigarete značile umjetnicima u ratnom užasu Sarajeva.
Krenula je 1993. godine Maruša Krese po svijetu proseći milost i razumijevanje za opkoljeni grad. Nije bila ničiji službenik zadužen poslom za Sarajevo. Sama je odlučila da Sarajevo bude njena životna misija. Držala je političke i sindikalne govore, pisala pisma velikim i važnim, kao i malim i nevažnim, kako se, eto, na koncu 21. stoljeća ubija jedna sjajna, multietnička kultura, jedan veličanstveni grad koji bi trebalo da bude na čast i ugled Evropi, a koja kao od kuge okreće glavu od njega i pravi se da ne razumije i vidi ko tu strada i zašto strada.
Rodila se u Ljubljani 1947. godine. Potom je živjela u SAD, Holandiji i Engleskoj. Po diktatu književnosti, ljubavi i posla našla u Berlinu, kao intelektualka, psihoterapeutkinja i pjesnikinja, gdje se rodila po drugi put. A treći put se rodila u Sarajevu, kad smo je prigrlili kao sestru koja razumije i blaži naše patnje. Iz te sućuti nastala je knjiga poezije Sarajevo ljubavi moja, koju je 1994. godine objavio Radio ZID.
Objavila je sedam knjiga poezije, te knjigu Vsi moji božiči, za koju je 2008. godine dobila nagradu Fabula za najbolju prozu. Život je okončala u rodnom gradu, s porodicom i prijateljima. Za svoje djelovanje nagrađena je Križem za zasluge SR Njemačke 1997.
Ferida Duraković
7.1.2013.
Pjesme našeg urednika u LE ZAPOROGUE br.13., Danska
Poems from our Editor in chief in magazine LE ZAPOROGUE No 13.. Denmark
1.01.2013.- In memoriam Slobodan Rakitić, Beograd, Srbija
(30.9.1940-1.01.2013)
Pjesnik, esejista, urednik
Redakcija DIOGEN pro kultura magazina izražava iskreno saučešće porodici/obitelji
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1.01.2013.
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Saopštenje namijenjeno javnostima književnika Sabahudina Hadžialića, gl. i odg. urednika
DIOGEN pro kultura magazina i MaxMinus magazina 
Kompletan dopis download...
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Саопштење намијењено јавностима књижевника Сабахудина Хаџиалића, гл. и одг. уредника
ДИОГЕН про култура магазина и МаxМинус магазина 
Комплетан допис download...
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21.12.2012.- In memoriam Enver Dizdar, Sarajevo, BiH
(8.6.1944-21.12.2012)
Novinar, likovni kritičar, komentator, reporter i putopisac, urednik
Redakcija DIOGEN pro kultura magazina izražava iskreno saučešće porodici/obitelji
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21.12.2012. Pozivnica Zavičajni muzej Travnik
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21.12.2012. Pozivnica gradonačelnika Sarajeva
| pozivnica_za_imenik_eha.pdf |
21.12.2012. POVELJA
21.12.2012.g. Tekst dopisa gl. i odg. urednika DIOGEN pro kultura magazina, dostavljenog kao odgovor na POVELJU koju mu je dodijelila Poezija STENKA & restoran STENKA iz Beograda:
"Dragi Majo (Danilović, glodur Poezija STENKA),
Zaista sam prijatno iznenađen odlukom da mi se dodijeli POVELJA.
Sve što radim i sto sam radio je uvijek bilo usmjereno činjenju dobra, jer dobro, dobro daje. No, obrazloženje vaše POVELJE zaista mi mnogo znači jer pokazuje da sam do sada i uspio u tome. Ovo nije samo ukazana čast već i obaveza, obzirom da će se mnoštvo mačaka sada uzjoguniti. Vi, kao lavovi, ne obraćajte pažnju na to.
Istovremeno, DIOGEN pro kultura magazin nije samo Sabahudin već kompletna redakcija, ali i svih onih blizu 240 pjesnika i pisaca iz 60 zemalja svijeta koji ga upravo čine objediniteljom različitosti. Ova POVELJA pripada svima nama.
Pjesnici nisu samo čuđenje u svijetu. Oni su svijet sami. Ne samo vlastiti.
Hvala vam. Nadam se da će biti prilike u budućnosti i da se sastanemo kod vas u okviru pjesničkih druženja.
Molim te da ove riječi zahvalnosti preneseš večeras, tokom trajanja Pjesničke Nove godine 2013, svim dobrim ljudima, pjesnicima u STENKI i, naravno vlasnici restorana STENKA, kao dobronamjernom meceni vaših okupljanja.
Srdačan pozdrav,
Vaš
Sabi
Sabahudin Hadžialić
gl. i odg. urednik
DIOGEN pro kultura magazin
http://www.diogenpro.com
"Dragi Majo (Danilović, glodur Poezija STENKA),
Zaista sam prijatno iznenađen odlukom da mi se dodijeli POVELJA.
Sve što radim i sto sam radio je uvijek bilo usmjereno činjenju dobra, jer dobro, dobro daje. No, obrazloženje vaše POVELJE zaista mi mnogo znači jer pokazuje da sam do sada i uspio u tome. Ovo nije samo ukazana čast već i obaveza, obzirom da će se mnoštvo mačaka sada uzjoguniti. Vi, kao lavovi, ne obraćajte pažnju na to.
Istovremeno, DIOGEN pro kultura magazin nije samo Sabahudin već kompletna redakcija, ali i svih onih blizu 240 pjesnika i pisaca iz 60 zemalja svijeta koji ga upravo čine objediniteljom različitosti. Ova POVELJA pripada svima nama.
Pjesnici nisu samo čuđenje u svijetu. Oni su svijet sami. Ne samo vlastiti.
Hvala vam. Nadam se da će biti prilike u budućnosti i da se sastanemo kod vas u okviru pjesničkih druženja.
Molim te da ove riječi zahvalnosti preneseš večeras, tokom trajanja Pjesničke Nove godine 2013, svim dobrim ljudima, pjesnicima u STENKI i, naravno vlasnici restorana STENKA, kao dobronamjernom meceni vaših okupljanja.
Srdačan pozdrav,
Vaš
Sabi
Sabahudin Hadžialić
gl. i odg. urednik
DIOGEN pro kultura magazin
http://www.diogenpro.com
20.12.2012.
Predstavljanje pripovijesti romansiranog karaktera
"Oaza izgubljenog raja" (Izdavač autor, 2012.), autora Drage Slipca iz Novog Travnika (do sada objavljene 4 knjige romansiranog sadržaja u periodu 2002-2011)
U Centru za kulturu Travnik je u četvrtak, 20.12.2012.g. sa početkom u 19:00 sati predstavljana knjiga "Oaza izgubljenog raja" autora Drage Slipca iz Novog Travnika.
Gost promotor je bio književnik Sabahudin Hadžialić iz Sarajeva (gl. i odg. urednik našeg magazina).
Izvode iz djela je čitao glumac amaterskog pozorišta iz Travnika, Zlatko Perčinlić.
Muzički dio programa-gitara/vokal Mile Filipović iz Travnika
Gost promotor je bio književnik Sabahudin Hadžialić iz Sarajeva (gl. i odg. urednik našeg magazina).
Izvode iz djela je čitao glumac amaterskog pozorišta iz Travnika, Zlatko Perčinlić.
Muzički dio programa-gitara/vokal Mile Filipović iz Travnika
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18.12.2012.
Sarajevo: Umjetnički performans
Grah za Iliju Ladina u Charlami
Svi umjetnici koji u subotu, 22. prosinca u 12:00 dođu u Charlamu i koji napišu pjesmu na okvirnu temu jednog Ilijinog stiha „Pišeš li?“ sudjeluju u natjecanju za nagradu „Grah za Iliju Ladina“.
U sarajevskoj Skenderiji, u prostoru Charlame,u subotu, 22. prosinca održat će se umjetnički performans pod nazivom Grah za Iliju Ladina u Charlami. Početak je zakazan u 12:00 sati, kada će sudionici, nakon svečanog otvaranja, obići aktualni Sajam knjiga – Zimski salon knjige u Skenderiji. Program se nastavlja u 13:00 sati dodjelom nagrade Grah za Iliju Ladina za 2011. godinu te prikazivanjem snimka s jedne davne književne večeri Ilije Ladina u kultnom Zvonu.Potom, pjesnicičitaju svoje svoje radove. Performans završava u 16:00 sati.
Na skup se dolazi bez posebnog osobnog pozivanja. Svi umjetnici koji dođu u Charlamu i koji napišu pjesmu na okvirnu temu jednog Ilijinog stiha „Pišeš li?“ sudjeluju u natjecanju za nagradu „Grah za Iliju Ladina“.
Umjetnici koji žele sudjelovati u ovom programu svoj dolazak mogu najaviti i pjesme poslati e-mailom na: [email protected]
I oni koji se ne stignu javiti e-mailom- dobro su došli.
Info telefon: SegorHadžagić 063 792 315
Grah za Iliju Ladina u Charlami
Svi umjetnici koji u subotu, 22. prosinca u 12:00 dođu u Charlamu i koji napišu pjesmu na okvirnu temu jednog Ilijinog stiha „Pišeš li?“ sudjeluju u natjecanju za nagradu „Grah za Iliju Ladina“.
U sarajevskoj Skenderiji, u prostoru Charlame,u subotu, 22. prosinca održat će se umjetnički performans pod nazivom Grah za Iliju Ladina u Charlami. Početak je zakazan u 12:00 sati, kada će sudionici, nakon svečanog otvaranja, obići aktualni Sajam knjiga – Zimski salon knjige u Skenderiji. Program se nastavlja u 13:00 sati dodjelom nagrade Grah za Iliju Ladina za 2011. godinu te prikazivanjem snimka s jedne davne književne večeri Ilije Ladina u kultnom Zvonu.Potom, pjesnicičitaju svoje svoje radove. Performans završava u 16:00 sati.
Na skup se dolazi bez posebnog osobnog pozivanja. Svi umjetnici koji dođu u Charlamu i koji napišu pjesmu na okvirnu temu jednog Ilijinog stiha „Pišeš li?“ sudjeluju u natjecanju za nagradu „Grah za Iliju Ladina“.
Umjetnici koji žele sudjelovati u ovom programu svoj dolazak mogu najaviti i pjesme poslati e-mailom na: [email protected]
I oni koji se ne stignu javiti e-mailom- dobro su došli.
Info telefon: SegorHadžagić 063 792 315
18.12.2012.
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18.12.2012.
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18.12.2012. NOVOGODIŠNJI POKLON NAŠIM ČITAOCIMA /
NEW YEAR EVE GIFT TO OUR READERS
18.12.2012. Novogodišnji poklon za čitaoce DIOGEN pro kultura magazina...Na nasim online stranicama cete od 31.12.2012. moci vidjeti ekskluzivnu online worldwide premijeru filma MISTERIJA MAKAVEJEV (scenaristkinja Radmila Radaković i režija Dragomir Zupanc, čiji film o Danilu Kišu svi mogu vidjeti na našim stranicama od 2010.g.) i uz tekst Ivane Kronja iz beogradske REPUBLIKE naziva "FILMOVI KOJI NEŠTO ZNAČE", koji prenosimo uz dozvolu kolega iz Beograda.....New Year gift for the readers of DIOGEN pro culture magazine...On our online pages you will be able, as of 31.12.2012. to see exclusiv online worldwide premiere of the movie MAKAVEJEV MISTERY (screenwriter Radmila Radakovic and director Dragomir Zupanc, whose movie about Danilo Kiš everybody may see on our pages as of 2010.) and with an article from Ivana Kronja from magazine REPUBLIC (Belgrade) titled "MOVIES THAT MEANS SOMETHING" with the permition from our colleagues...http://www.diogenpro.com/
15.12.2012.
Prvi dio prozne trilogije
RASKRŠĆE SVJETOVA (KUTIJA ŽIVOTA) Sabahudina Hadžialića
U Beogradu je u petak, 14.12.2012.g. potpisan Ugovor između direktora i vlasnika Izdavačke kuće "MOST ART", Dragana Stojkovića i književnika Sabahudina Hadžialića, gl. i odg. urednika našeg magazina, kojim se najavljuje objava prvog dijela prozne trilogije RASKRŠĆE SVJETOVA pod nazivom KUTIJA ŽIVOTA za april mjesec 2013.g. Autori književnih osvrta za roman KUTIJA ŽIVOTA su Zlata Žunić, Andrej Glišić (1944-2012) i Petar Lazić. Gl. i odg. urednik našeg magazina je istovremeno dogovorio saradnju sa Izdavačkom kućom "MOST ART" u najavi i predstavljanju navedenog književnog djela.
12.12.2012.
26. Diogenes Poetes susreti
24. 12. 2012.
21h
AG club
Sarajevo
Bosna i Hercegovina
FRANCI NOVAK POBJEDNIK EVROPSKOG PJESNIČKOG TURNIRA 2012
Proglašen je pobjednik ovogodišnjeg Evropskog pjesničkog turnira, koji je pokrenula Založba Pivec iz Maribora, a u partnerskom odnosu sa književnim udrugama iz Italije, Austrije, Mađarske, Slovačke i Bosne i Hercegovine, u okviru evropskog programa Kultura 2007-2013. To je slovenački pjesnik Franci Novak. Evo pobjedničke pjesme na slovenačkom i našem jeziku.
PEN Centar u Bosni i Hercegovini najavljuje predstavljanje svih sedam pjesnika pobjednika u svojim zemljama, u Sarajevu,
u subotu 15. decembra/prosinca u Art ateljeu Figure od 19.00 do 21.00
PEN Centar u Bosni i Hercegovini najavljuje predstavljanje svih sedam pjesnika pobjednika u svojim zemljama, u Sarajevu,
u subotu 15. decembra/prosinca u Art ateljeu Figure od 19.00 do 21.00
Franci Novak
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LJUDJE KOT RASTLINE
Osupljivo, kako drhtimo in trepetamo v visokem vetru na nekem vrhu, na pečini, nad globeljo, držeč se za roke, da ne bi padli. Mi - ženska, moški in otrok -, gledamo navzdol, v obilje dvigajočega se zraka, ki gre prav do hrasta, ki skrivenčen raste tik ob robu skal. - Poglej dol, kako je globoko, pravi ženska otroku, in njegov pogled je nekaj časa znotraj njenega pogleda kot seme v lupini, v želodu, a otrok gleda brez strahu, le z začudenjem, v drobne krošnje in kamnite stebre, ki se dvigajo globoko spodaj, v soteski. Držimo se za roke kot negibni plesalci. Tako se nosimo, dlan v dlani - naše roke se bodo spominjale drugih rok, njihovih oblik, njihovega drhtenja, njihove vlage in toplote, njihovih oprijemov, njihove gladkosti in hrapavosti, skladiščili bomo oblike drugih teles kot nevidne zapise v skorjah, v listih, v žilah. Spomin nanje zdaj izstopa iz nas kot vijugava senca krošnje pod našimi nogami, in ko spet prepletamo svoje prste, z njimi oblikujemo prazne prostore kot prostore med vejami. Naše kože dišijo po prahu rastlin in eteričnih oljih, govorimo z lišaji prekrite kamne, kot da je naša govorica bela mehka eksplozija na trdni kamenini. Gledamo druge, kako prihajajo – vidimo valovanje neštetih črnih debel po pobočjih, z neštetimi vejami in vejicami, z viticami in listi, s pogledi v pogledih, s semeni v lupinah, z želodom in žirom –, in spet odhajajo na druge od sonca ožgane vrhove. Črna drobna sled prsti, ki gre med skalami blizu nas, je kot neizrečen stavek, kot zaznamek v prostoru, tisto, kar sva moški in ženska hotela povedati otroku in kar otrok mogoče že ve; ljudje bomo morali kot rastline prevzeti odgovornost, da iz preperevajočih kamnov nastane nova prst, pustiti prostor za sajenje, za dež, za pokajoče lupine plodov, pustiti prostor za tiste, ki prihajajo. |
LJUDI KAO BILJKE
Čudo kako drhtimo i treperimo na visinskom vjetru na vrhu neke planine, na stijeni nad provalijom držeći se za ruke da ne padnemo. Mi – žena, muškarac i dijete –gledamo dolje u obilje zraka što se diže sve do hrasta, koji prikriven raste uz sam rub stijena. – Pogledaj dolje, kako je duboko, kaže žena djetetu i njegov je pogled neko vrijeme u njenom pogledu poput sjemena u ljusci, u žiru, dok, dijete bez straha, samo začuđeno gleda u malene krošnje i kamene stupove koji se dižu duboko dolje u kotlini. Držimo se za ruke poput nepomičnih plesača. Tako se vodimo s dlanom u dlanu – naše će se ruke sjećati drugih ruku, njihovih oblika, njihovog drhtanja, njihove vlažnosti i topline, njihovih stisaka, njihove glatkoće i hrapavosti, pohranjivat ćemo oblike drugih tijela kao nevidljive zapise u korice, u listove, u žile. Sjećanje na njih sada ističe iz nas poput vijugave sjene krošnje ispod naših nogu, i kada opet isprepletemo svoje prste, njima oblikujemo prazne prostore kao prostore između grana. Naše kože mirišu na prah bilja i eterična ulja, pričamo s kamenjem prekrivenim lišajem kao da je naš govor bijela mekana eksplozija.na tvrdom stijenjaku. Gledamo druge kako dolaze – vidimo talasanje bezbrojnih crnih stabala po obroncima s bezbrojnim granama i grančicama, s viticama i lišćem, s pogledima u pogledima, sa sjemenjem u ljuskama, s hrastovim i bukovim žirom – i kako onda odlaze na druge, suncem opaljene vrhove. Sitan crni trag zemlje, koji teče među stijenama blizu nas, poput neizrečene je rečenice, poput zabilješke u prostoru onoga što smo, muškarac i žena, htjeli reći djetetu, a što dijete možda već i zna; morat ćemo kao ljudi poput bilja preuzeti odgovornost da od raspadnutog kamenja nastane nova zemlja, ostaviti prostor za sadnju, za kišu, za raspuknute ljuske plodova, ostaviti prostor za one koji dolaze. Preveo sa slovenačkog Juraj Martinović |
Založba Pivec Maribor i PEN Centar u Bosni i Hercegovini pozivaju vas na
EVROPSKI PJESNIČKI TURNIR 2012.
Sudjeluju:
Reinhard Lechner, Austrija
Tatjana Bijelić, Bosna i Hercegovina
Martina Vidaić, Hrvatska
Daniela Raimondi, Italija
Tamás Kabdebo, Mađarska
Miroslava Ábelová, Slovačka
Franci Novak, Slovenija
Moderatori: Ferida Duraković i Ahmed Burić
Art atelje Figure, Sarajevo, subota 15. decembra/prosinca, 19.00-21.00
Dobro nam došli!
EVROPSKI PJESNIČKI TURNIR 2012.
Sudjeluju:
Reinhard Lechner, Austrija
Tatjana Bijelić, Bosna i Hercegovina
Martina Vidaić, Hrvatska
Daniela Raimondi, Italija
Tamás Kabdebo, Mađarska
Miroslava Ábelová, Slovačka
Franci Novak, Slovenija
Moderatori: Ferida Duraković i Ahmed Burić
Art atelje Figure, Sarajevo, subota 15. decembra/prosinca, 19.00-21.00
Dobro nam došli!
12.12.2012. Pozivnica / Invitation
Poziv na promociju knjige "Pripovjetke" Augusta Strindberga
Filozofski fakultet u Sarajevu, 13.12.2012. sa početkom u 12:00 sati
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11.12.2012.
Božićni koncert u Sarajevu
11.12.2012.
Maja Milinković Simonelli i Ansambl “Fado Verdadeiro”
“Fado i ja” u Art kinu Kriterion, Obala Kulina Bana 2 (bivše kino Tesla), Sarajevo, Bosna i Hercegovina, u petak, 14.12.2012. godine, u 20:00 sati.
Ne propustite koncert Fado muzike u Kriterionu - Strast, ljubav, duh Fada kao posebne filozofije i doživljaja života, kroz raskošnu interpretaciju u kojoj do punog izražaja dolaze izvrsne glasovne sposobnosti, Maja Milinković Simonelli nesebično dijeli sa svojom publikom i pokazuje da u muzici ne postoje granice. Nakon uspješnih koncerata “Fado i ja” održanih na ovogodišnjem Festivalu “Baščaršijske noći” i u Kamernom teatru 55, gdje se trazila “stolica vise” Maja će po drugi put u Art kinu Kriterion obradovati sarajevsku publiku i mnogobrojne goste repertoarom muzičkih numera portugalske Fado muzike. Na repertoaru će se pored tradicionalnih Fado numera, naći i one koje su u svijetu postale poznate u izvedbi čuvene Amalie Rodrigues, Marize i Kristine Branco. Maja ovaj vrlo zahtjevan i autentičan muzički izraz čini sve prepoznatljivijim na prostorima Bosne I Hercegovine.
Maja Milinkovic singl "Tudo isto e fado": http://www.youtube.com/watch?v=Zy2_sLBeknU
Ulaznice za koncert koji počinje u 20 sati, mogu se kupiti u slobodnoj prodaji u Art kinu Kriterion po cijeni od 10,-- KM. Pošto je broj mjesta ograničen molimo Vas za rezervacije na telefone 063 537080, 063 405 518 ili [email protected]
Maja Milinković Simonelli i Ansambl “Fado Verdadeiro”
“Fado i ja” u Art kinu Kriterion, Obala Kulina Bana 2 (bivše kino Tesla), Sarajevo, Bosna i Hercegovina, u petak, 14.12.2012. godine, u 20:00 sati.
Ne propustite koncert Fado muzike u Kriterionu - Strast, ljubav, duh Fada kao posebne filozofije i doživljaja života, kroz raskošnu interpretaciju u kojoj do punog izražaja dolaze izvrsne glasovne sposobnosti, Maja Milinković Simonelli nesebično dijeli sa svojom publikom i pokazuje da u muzici ne postoje granice. Nakon uspješnih koncerata “Fado i ja” održanih na ovogodišnjem Festivalu “Baščaršijske noći” i u Kamernom teatru 55, gdje se trazila “stolica vise” Maja će po drugi put u Art kinu Kriterion obradovati sarajevsku publiku i mnogobrojne goste repertoarom muzičkih numera portugalske Fado muzike. Na repertoaru će se pored tradicionalnih Fado numera, naći i one koje su u svijetu postale poznate u izvedbi čuvene Amalie Rodrigues, Marize i Kristine Branco. Maja ovaj vrlo zahtjevan i autentičan muzički izraz čini sve prepoznatljivijim na prostorima Bosne I Hercegovine.
Maja Milinkovic singl "Tudo isto e fado": http://www.youtube.com/watch?v=Zy2_sLBeknU
Ulaznice za koncert koji počinje u 20 sati, mogu se kupiti u slobodnoj prodaji u Art kinu Kriterion po cijeni od 10,-- KM. Pošto je broj mjesta ograničen molimo Vas za rezervacije na telefone 063 537080, 063 405 518 ili [email protected]
10.12.2012.
ČESTITKA TEATRU "FEDRA", Bugojno, Bosna i Hercegovina od strane našeg urednika
1963-2013
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Poštovani prijatelji (Vahide & i ostala kompletna ekipa ne manje važna) iz KSC-a i Teatra FEDRA,
Uz iskrene čestitke povodom 50 godina Teatra FEDRA (1963-2013), poklanjam vam kompletan snimak i najavu predstave "VRIJEME JE ZA" Teatra FEDRA iz 2003.g. upravo postavljen 10.12.2012.g. na YOU TUBE. http://youtu.be/lNJDmocCALQ ili na http://sabahudinhadzialicvideo.blogspot.com/ Želim vam i dalje nastavak razvoja dramske scene na "daskama koje život znače" u Bugojnu, ali i van njega. Srdačan pozdrav, Sabahudin Hadžialić |
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07.12.2012.
Božićni koncert
Sarajevo, Bosna i Hercegovina
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05.12.0212.
Sarajevo, Bosna i Hercegovina 09.12.2012.
- Pro ROCK club Johnny, Sarajevo
- Nakon duge pauze opet smo tu u malo drugačijem ozračju. NA susretima će biti dva programa. Prvi program je Glavni program i u tom programu možete slušati tematski povezanu poeziju svakog od autora iz trupe uz pratnju na akustičnoj gitari. Čitat će se do pet pjesama tako da nema smaranja. Teme koje ćete imati priliku slušati su:
Sloboda duše,
Crtice,
Poezija protesta i ljubavi,
Potraga,
Krivo srastanje,
Bezličnost,
S(a)vršena priča,
Cjelina imaginacije,
Buđenje,
Ljubav.
Koji autori stoje iza naslova saznat ćete u subotu. Drugi program je Slobodni program: Ko dođe - ko hoće i u tom programu učestvuju ostali autori iz trupe i oni koji se osjete dovoljno slobodnim. Čitaju se tri pjesme. Da se stihovi ne bi samo redakli jedan za drugim pobrinut će se Amra Karahodžić koja će svojim live nastupom upotpuniti nedjelju.
Mostra arte a Firenze-Parrocchia di
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1.12.2012.
Art movie "Blue bird" from our author
Sebastian Wesman presented in Barcelona, Spain
Promocija studije slučaja "Svezame, otvori se",
Atelje Figure, 3. decembra 2012. u 19 sati
Sarajevo, Bosna i Hercegovina
U Ateljeu Figure, u ponedjeljak 3. decembra 2012. u 19.00 sati,
studiju slučaja Svezame, otvori se predstavljaju
Edin Salčinović, izdavač, Inja Pašalić, advokatica, Zoran Ćatić, roditelj, Namir Ibrahimović i Nenad Veličković, autori.
Kome je i zašto alternativni udžbenik neprihvatljiv? Kako se iz univerzitetskih busija brane interesi nacionalizma? Kakva je uloga nastavnika maternjeg jezika i književnosti u odabiru čitanke? Za kakve se vrijednosti ovaj nastavnički esnaf zalaže? Kako izvršna vlast osigurava legitimitet nekvalitetnim udžbenicima? Kako ignorisanje i arogancija postaju argumenti moći? Kako gluhost štiti glupost?
Zašto djeca nemaju pravo glasa?
studiju slučaja Svezame, otvori se predstavljaju
Edin Salčinović, izdavač, Inja Pašalić, advokatica, Zoran Ćatić, roditelj, Namir Ibrahimović i Nenad Veličković, autori.
Kome je i zašto alternativni udžbenik neprihvatljiv? Kako se iz univerzitetskih busija brane interesi nacionalizma? Kakva je uloga nastavnika maternjeg jezika i književnosti u odabiru čitanke? Za kakve se vrijednosti ovaj nastavnički esnaf zalaže? Kako izvršna vlast osigurava legitimitet nekvalitetnim udžbenicima? Kako ignorisanje i arogancija postaju argumenti moći? Kako gluhost štiti glupost?
Zašto djeca nemaju pravo glasa?
27.11.2012.
VideoBardo (Argentina)
http://www.videopoesia.com/documentos_wordpress/programacion_festival_30nov.pdf
Del 27 de Noviembre al 2 de Diciembre de 2012 se realizará en Buenos Aires la IV Festival Internacional de Videopoesía, cuyo tema central será "Por la Tierra"
I SIMPOSIO INTERNACIONAL DE VIDEOPOESÍA
En Biblioteca Nacional (Agüero,2502 y Av.Libertador-CABA Argentina) Sala Augusto R. Cortázar
PROGRAMACIÓN - Viernes 30 de noviembre 2012
10h - 18h I Simposio Internacional de Videopoesía:
Diálogos entre imagen, sonido y lenguaje verbal
Antonio Alvarado (España)
La Poesía como medio de vídeo
Claudia Kozak (Argentina)
Tecnopoesía experimental en Argentina: recorridos audiovisuales - presentación de libro
Eliza Fernbach (Canadá)
Hacia una definición del cine de poesía
Anabella Spezialle (Argentina)
Videopoems: a particular way of depicting our world
Sarah Tremlett (Inglaterra)
The Word as a Leaf?
Valeria Radrigán (Chile)
Transdisciplina y medios híbridos: el problema del formato en la videopoesia
Jakob Kirchheim (Alemania) y Teresa Delgado (España)
Ponencia en video
Javier Robledo (Argentina)
Videopoesía: de las cavernas al futuro
Ana Pascal (Argentina)
Titulo de la ponencia a confirmar
Con la proyección de videopoemas de Wilton Azevedo (Brasil)
18h Videopoemas por la Tierra
En Biblioteca Nacional (Agüero, 2502 y Av. Libertador - CABA) - Sala J.L. Borges
Susurradores de poesía por Comando de Susurradores (Argentina)
Videopoemas cortometrajes por la Tlerra - 1ra parte
Mar Garrido (España) La casa de la playa
Protasia y Agripino (España) Las Islas
Fundación Hölderlin (Argentina) Las aventuras de Gatucho
Danny Winkler / Emilia Loseva (UK/Rusia) Twelve haikus in letarghy
Gruppo Sinestetico (Italia) Homage to Joseph Beuys
Wei-Ming Ho (Taiwan) The Art-Qaeda project
Bridget Sutherland (Nueva Zelanda) Twelve hours of daylight
Sarah Tremlett (UK) She/Seasons/Contemplating Nature
Erdem Şimşek (Turquía) Remaining birds song
Daniel Dugas (Canadá) Evanescencia
Perfomance poética en vivo - Carlos Estévez (Argentina)
Videopoemas cortometrajes por la Tlerra - 2ª parte
Video Out – Jennifer Campbell (USA) Point No Point / Precipitate
Markus Keim - Beate Hecher (Austria) Vanishing Point
Rafael Álvarez Domenech (Cuba) Azelvizaje / Tin titulo
Mónica Barros (Chile) Subtodo
Avanca – Carlos Silva (Portugal) Terram, terra e mar
Ignacio Mendia (Argentina) Parásito Polilla Corazón
Eduardo Romaguera (España) Pez
Daniela Novoa Mahecha (Argentina) Agua
Art al Quadrat (España) Sanación
Ruggero Maggi (Italia) En los pliegues del tiempo y del espacio
Fundación Hölderlin (España) Empédocles
Todas las actividades son gratuitas y abiertas al público
más información en: VideoBardo
www.videopoesia.com
comunicato stampa inviato dal : www.grupposinestetico.it
27.11.2012.-Sarajevo
Predstavljanje knjige i javno čitanje - 28.11.2012.
Povodom izlaska iz štampe romana ”PUSTINJAK”, autora Bajrama Redžepagića, Izdavačka kuća ”Connectum” organizira PROMOCIJU I JAVNO ČITANJE romana ”Pobunjenik” i ”Pustinjak”.
Datum: srijeda, 28.11.2012.
Vrijeme: 14:00 sati
Mjesto: Bošnjački institut – Fondacija Adila Zulfikarpašića
Promotori:
prof. dr. Nihad Agić
prof. dr. Muhidin Džanko
doc. dr. Sanjin Kodrić
dr. Damir Ovčina
književnik Jasmin Agić
Odlomke iz romana čitat će
Muharem Osmić, glumac
Asmir Kujović, pjesnik
Datum: srijeda, 28.11.2012.
Vrijeme: 14:00 sati
Mjesto: Bošnjački institut – Fondacija Adila Zulfikarpašića
Promotori:
prof. dr. Nihad Agić
prof. dr. Muhidin Džanko
doc. dr. Sanjin Kodrić
dr. Damir Ovčina
književnik Jasmin Agić
Odlomke iz romana čitat će
Muharem Osmić, glumac
Asmir Kujović, pjesnik
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27.11.2012.- Sarajevo
Humanitarni koncert 27.11.2012. u 19 sati
Čast nam je pozvati Vas na humanitarni koncert i prodajnu izložbu pod nazivom „Izvor radosti“ za djecu Stadlerovog dječjeg doma Egipat.
Koncert će biti održan u utorak, 27.11.2012. godine u Franjevačkom međunarodnom studentskom centru (Zagrebačka 18, Sarajevo) u 19.00 sati, a u organizaciji doma Egipat i HKD-a Napredak. Pokrovitelj Humanitarnog koncerta je vrhbosanski nadbiskup Vinko kardinal Puljić.
U programu će nastupiti Zbor djece iz kuće Egipat, Folklorna skupina HKD Napredak Podružnica Busovača, Violinski duo iz kuće Egipat, Mandolinski sastav iz kuće Egipat, Napretkov tamburaški orkestar Lira, Bogoslovni zbor Vrhbosanske katoličke bogoslovije i popularni glazbenik Ivan Mikulić. Voditelj programa je g. Vanja Gavran.
Sredstva prikupljena od koncerta i izložbe namijenjena su za školovanje djece Stadlerovog dječjeg doma Egipat u Sarajevu.
Stadlerov dječji dom Egipat
HKD Napredak Sarajevo
Koncert će biti održan u utorak, 27.11.2012. godine u Franjevačkom međunarodnom studentskom centru (Zagrebačka 18, Sarajevo) u 19.00 sati, a u organizaciji doma Egipat i HKD-a Napredak. Pokrovitelj Humanitarnog koncerta je vrhbosanski nadbiskup Vinko kardinal Puljić.
U programu će nastupiti Zbor djece iz kuće Egipat, Folklorna skupina HKD Napredak Podružnica Busovača, Violinski duo iz kuće Egipat, Mandolinski sastav iz kuće Egipat, Napretkov tamburaški orkestar Lira, Bogoslovni zbor Vrhbosanske katoličke bogoslovije i popularni glazbenik Ivan Mikulić. Voditelj programa je g. Vanja Gavran.
Sredstva prikupljena od koncerta i izložbe namijenjena su za školovanje djece Stadlerovog dječjeg doma Egipat u Sarajevu.
Stadlerov dječji dom Egipat
HKD Napredak Sarajevo
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27.11.2012.
Comunicato mostra libri d'artista (Pd)
Padova, Italy
Gli artisti che espongono con QueenArtStudio: Adolfo Castelluccio, Adelaide Scavino, Alessandra Angelini,AnnaMaria Scocozza,Andrea Massaro, ANIMART, Associazione Promozione Arti in Italia di Laura Lucibello (con la collaborazione di 25 Artisti Lilli Ascoli Felici, Francesco Borghi, Leonardo Nazzareno Enea, Patrizio Farinacci, Emanuela Guttoriello, Vincenzo Illiano, Ruslan Ivanytskyy, Daniela Lai, Laura Lucibello, Giovanna Mammana, Claudio Massimi, Maura Menichetti, Michela Mezzomo Stucchi, Carlo Monopoli, Agnese Ombroso, Giovanna Ono, Sabrina Pantacchini, Lucia Luisa Pasculli, Rossana Pianigiani, Maria Pia Saccinto, Enza Siciliano, Paola Ventura e Francoise Weddigen), Beatrice Landucci, , Carlo Maggiolo, Chiara Pino,Dalma Cimino, Daniela Taliana, Damiano Pernechele, Floriana Mucci, Francesca Maggia, Francesco Mestria, Gianni Sutera, Giampiero Cudin, Giò Dal Piva, Gruppo Gralha Azul (Mara Caruso), Josep Pascual, Helena Gath, Ignasi Puente, Isabella Ciaffi, Ilaria Sperotto, Luca Cappai,Luigina Iacuzzi, Jolanda Casari, Maria Micozzi, Marilena Bordin,Marinella Imbalzano, Marino Rossetti, Massimo Basile, Mario Lagos,Mauro Malafronte, Pál Csaba, Patrizia Da Re,PaolaGuia Muccioli,Patrizio Cianci (Patrix), Roberta Lucca, Rosanna Veronesi, ,Stefania Sergi, Teresa Mangiacapra,Siro Garrone, Tiziana Di Bartolomeo
Gli Artisti dell’Archivio ‘Non solo libri’ di Ruggero Maggi: Salvatore Anelli, Franco Ballabeni, Calogero Barba, Piergiorgio Baroldi, Vittore Baroni, Donatella Baruzzi, Luisa Bergamini, Carla Bertola, Giorgio Biffi, Giovanni Bonanno, Anna Boschi, Antonino Bove, Nirvana Bussadori, Silvia Capiluppi, Lamberto Lambi Caravita, Luciano Caruso, Bruno Cassaglia, Marilu’ Cattaneo, Guglielmo Achille Cavellini, Sergio Cena, Renato Cerisola, Mauro Corbani, Marisa Cortese, Gian Luca Cupisti, Caterina Davinio, Antonio De Marchi Gherini, Teo De Palma, Adolfina De Stefani, Albina Dealessi, Marcello Diotallevi, Emily Joe, Fernanda Fedi, Mavi Ferrando, Alessandra Finzi, Antonella Gandini, Annamaria Gelmi, Luciano G. Gerini, Gino Gini, Isa Gorini, Gruppo Il Gabbiano (Andolcetti, Cimino, Commone), Enzo Guaricci, Kappa, Bruno Larini, Alfonso Lentini, Oronzo Liuzzi, Ruggero Maggi, Maria Grazia Martina, Giorgio Martini, Gianni Marussi, Rita Mele, Alda Merini, Emilio Morandi, Clara Paci, Marisa Pezzoli, Giorgio Piccaia, Matteo Piccaia, Benedetto Predazzi, Marco Predazzi, Nadia Presotto, Tiziana Priori, Mario Quadraroli, Angela Rapio, Marco Rizzo, Claudio Romeo, Mariapia Fanna Roncoroni, Antonio Sassu, Evelina Schatz, Gianni Sedda, Elena Sevi, Fabio Sironi, Franco Tarantino, Roberto Testori, topylabris, Micaela Tornaghi, Alberto Vitacchio, Andrea Zanzotto.
comunicato inviato da : www.grupposinestetico.it
Gli Artisti dell’Archivio ‘Non solo libri’ di Ruggero Maggi: Salvatore Anelli, Franco Ballabeni, Calogero Barba, Piergiorgio Baroldi, Vittore Baroni, Donatella Baruzzi, Luisa Bergamini, Carla Bertola, Giorgio Biffi, Giovanni Bonanno, Anna Boschi, Antonino Bove, Nirvana Bussadori, Silvia Capiluppi, Lamberto Lambi Caravita, Luciano Caruso, Bruno Cassaglia, Marilu’ Cattaneo, Guglielmo Achille Cavellini, Sergio Cena, Renato Cerisola, Mauro Corbani, Marisa Cortese, Gian Luca Cupisti, Caterina Davinio, Antonio De Marchi Gherini, Teo De Palma, Adolfina De Stefani, Albina Dealessi, Marcello Diotallevi, Emily Joe, Fernanda Fedi, Mavi Ferrando, Alessandra Finzi, Antonella Gandini, Annamaria Gelmi, Luciano G. Gerini, Gino Gini, Isa Gorini, Gruppo Il Gabbiano (Andolcetti, Cimino, Commone), Enzo Guaricci, Kappa, Bruno Larini, Alfonso Lentini, Oronzo Liuzzi, Ruggero Maggi, Maria Grazia Martina, Giorgio Martini, Gianni Marussi, Rita Mele, Alda Merini, Emilio Morandi, Clara Paci, Marisa Pezzoli, Giorgio Piccaia, Matteo Piccaia, Benedetto Predazzi, Marco Predazzi, Nadia Presotto, Tiziana Priori, Mario Quadraroli, Angela Rapio, Marco Rizzo, Claudio Romeo, Mariapia Fanna Roncoroni, Antonio Sassu, Evelina Schatz, Gianni Sedda, Elena Sevi, Fabio Sironi, Franco Tarantino, Roberto Testori, topylabris, Micaela Tornaghi, Alberto Vitacchio, Andrea Zanzotto.
comunicato inviato da : www.grupposinestetico.it
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A cura di Maria Grazia Todaro
Organizza La Biennale Del Libro D’Artista Internazionale Padova
(Regione Veneto)
Con il Patrocinio della città di Montegrotto T(Pd),del Comune di
Padova della Provincia di Padova e della Regione Veneto
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21.11.2012.
11. jesenji salon 2012, Travnik, Bosna i Hercegovina
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21.11.2012.
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21.11.2012.
Akademija povodom obilježavanja 110 godina od utemeljenja
Hrvatskog kulturnog društva Napredak
| poziv_-_priznanja_akademijahdzu1.pdf |
13.11.2012.
Milorad Pejić - laureat nagrade Slovo Makovo
Mehmedalija Mak Dizdar
Zbirka poezije "Hyperborea", pjesnika Milorada Pejića rođenog u Tuzli, a danas žitelja Švedske, nagrađena je priznanjem "Slovo Makovo/Mak Dizdar" za najbolje poetsko djelo objavljeno na bosanskom, srpskom, hrvatskom, crnogorskom jeziku.
Nagrada se sastoji od diplome, skulpture koja je rad bh. umjetnika Adisa Fejzića i novčanog dijela od 7.000 KM.
S obzirom da ove godine obilježavamo 95-godišnjicu rođenjajednog od najznačajnijih bh. pjesnika Mehmedalije Maka Dizdara, Gradsko vijeće Grada Sarajeva ustanovilo je ovu nagradu u saradnji s PEN Centrom BiH, Fondacijom "Mak Dizdar" i Društvom pisaca BiH.
Odluka o pobjedniku saopćena je na današnjoj konferenciji za novinare kojoj su prisustvovali članovi žirija nagrade Slovo Makovo: Ferida Duraković, Željko Ivanković, Amir Brka, Stevan Tontić, Miro Petrović i predsjednik žirija Hadžem Hajdarević.
Mehmedalija Mak Dizdar je rođen u Stocu 17. oktobra 1917. godine. Zbirku "Kameni spavač" objavio je 1966. godine, a i danas se to djelo smatra vrhuncem njegovog stvaralaštva. Umro je 14. jula 1971. godine u Sarajevu, a te godine objavljeno je još jedno njegovo vrhunsko djelo - "Modra rijeka". Nakon dvadeset prispjelih zbirki poezije, u užem krugu za izbor najbolje našle su se: "Poeme iz bolesti i zdravlja" Enesa Halilovića, "Vidikovac na Odri" Fadile Nure Haver, "Bunar teških reči" Jelene Lengold, "Dunja" Mile Stojića i nagrađena "Hyperborea" Milorada Pejića.
Gradonačelnik Alija Behmen nagradu će uručiti pjesniku Pejiću 23. novembra u Narodnom pozorištu u drugom dijelu svečanosti, koju će Gradsko vijeće Grada Sarajeva zajedno sa SABNOR-om BiH i općinskim vijećima četiri gradske općine upriličiti povodom Dana državnosti Bosne i Hercegovine.
Kako je najavljuju organizatori, nagrada bi trebalo da postane tradicionalna, a predstavlja poetski pandan nagradi Meša Selimović za roman.
Izvor: Radiosarajevo.ba
Nagrada se sastoji od diplome, skulpture koja je rad bh. umjetnika Adisa Fejzića i novčanog dijela od 7.000 KM.
S obzirom da ove godine obilježavamo 95-godišnjicu rođenjajednog od najznačajnijih bh. pjesnika Mehmedalije Maka Dizdara, Gradsko vijeće Grada Sarajeva ustanovilo je ovu nagradu u saradnji s PEN Centrom BiH, Fondacijom "Mak Dizdar" i Društvom pisaca BiH.
Odluka o pobjedniku saopćena je na današnjoj konferenciji za novinare kojoj su prisustvovali članovi žirija nagrade Slovo Makovo: Ferida Duraković, Željko Ivanković, Amir Brka, Stevan Tontić, Miro Petrović i predsjednik žirija Hadžem Hajdarević.
Mehmedalija Mak Dizdar je rođen u Stocu 17. oktobra 1917. godine. Zbirku "Kameni spavač" objavio je 1966. godine, a i danas se to djelo smatra vrhuncem njegovog stvaralaštva. Umro je 14. jula 1971. godine u Sarajevu, a te godine objavljeno je još jedno njegovo vrhunsko djelo - "Modra rijeka". Nakon dvadeset prispjelih zbirki poezije, u užem krugu za izbor najbolje našle su se: "Poeme iz bolesti i zdravlja" Enesa Halilovića, "Vidikovac na Odri" Fadile Nure Haver, "Bunar teških reči" Jelene Lengold, "Dunja" Mile Stojića i nagrađena "Hyperborea" Milorada Pejića.
Gradonačelnik Alija Behmen nagradu će uručiti pjesniku Pejiću 23. novembra u Narodnom pozorištu u drugom dijelu svečanosti, koju će Gradsko vijeće Grada Sarajeva zajedno sa SABNOR-om BiH i općinskim vijećima četiri gradske općine upriličiti povodom Dana državnosti Bosne i Hercegovine.
Kako je najavljuju organizatori, nagrada bi trebalo da postane tradicionalna, a predstavlja poetski pandan nagradi Meša Selimović za roman.
Izvor: Radiosarajevo.ba
2.11.2012.
Grupa Junij exhibition part of Eyes-On Festival: Month of Photography in Vienna
Stane Jagodič, Symbol of Grupa Junij, 1973
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Dušan Pirih Hup, 1493, 1983
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GRUPA JUNIJ
Selection of photographs from International Art Collection Junij
Opening: Tuesday, 6 November at 7 pm!
Eyes-On Festival / Slovenian Cultural Centre Korotan
Albertgasse 48, 1080 Vienna
Photon – Centre for Contemporary Photography is taking part of Eyes-On Festival with the Grupa Junij exhibition, selection of photographs from International Art Collection Junij of Museum of Architecture and Design in Ljubljana and from personal archive of group's founding member, Stane Jagodič.
“Grupa Junij” was established in 1969 by a group of young artists in order to bring together similar creative impulses. The significance of the group therefore surpassed the range of a homogeneous art group that adopted principles that follow the example of the successors of historical avant-garde and created a constructive synthesis of different styles and trends. The main idea embraced by the group was the autonomy of art as such, freed of any political, academic, and aesthetic demands for pure styles and genres.
During the period, in which modernist painting and sculpture prevailed, the members of “Grupa Junij” resorted to reproducible media, particularly the innovative use of photography, although there was a broad range of different forms of expression and media. Because of their diversity, the creative practices of the group cannot be generalised, however the common characteristic of a broad range of different artists gathered in “Grupa Junij” is connected with figuralism, narrative art, and a direct expression of a message. The group was highly sensitive to the socio-political events of that time, which it translated into a highly original artistic language without any reservations. Their works were steeped in the spirit of the 1970s and early 1980s, as well as topics such as ecology, global demography and the related side effects of accelerated urbanisation, alienation, militancy, repression by state institutions, and growing consumerism.
The International Art Collection Junij had organically grown because of the contacts with number of prominent artists. In 1996 Junij Association, represented by group’s founding member Stane Jagodič, donated the extensive collection to the Museum of Architecture and Design in Ljubljana. There are over 140 international artists with around 1300 works. The exhibition in Vienna represents the selection of previous exhibition Junij in June that took place in Museum of Architecture and Design in frames of 6th Photonic Moments festival in Ljubljana.
Grupa Junij exhibition is the result of collaboration between Photon – Centre for Contemporary Photography and Museum of Architecture and Design Ljubljana.
Exhibition is open until 16 December 2012!
www.photon.si
www.mao.si
www.korotan.com
Gallery hours:
Every day: 9 am – 1 pm / 2 pm – 9 pm
Supported by:
Selection of photographs from International Art Collection Junij
Opening: Tuesday, 6 November at 7 pm!
Eyes-On Festival / Slovenian Cultural Centre Korotan
Albertgasse 48, 1080 Vienna
Photon – Centre for Contemporary Photography is taking part of Eyes-On Festival with the Grupa Junij exhibition, selection of photographs from International Art Collection Junij of Museum of Architecture and Design in Ljubljana and from personal archive of group's founding member, Stane Jagodič.
“Grupa Junij” was established in 1969 by a group of young artists in order to bring together similar creative impulses. The significance of the group therefore surpassed the range of a homogeneous art group that adopted principles that follow the example of the successors of historical avant-garde and created a constructive synthesis of different styles and trends. The main idea embraced by the group was the autonomy of art as such, freed of any political, academic, and aesthetic demands for pure styles and genres.
During the period, in which modernist painting and sculpture prevailed, the members of “Grupa Junij” resorted to reproducible media, particularly the innovative use of photography, although there was a broad range of different forms of expression and media. Because of their diversity, the creative practices of the group cannot be generalised, however the common characteristic of a broad range of different artists gathered in “Grupa Junij” is connected with figuralism, narrative art, and a direct expression of a message. The group was highly sensitive to the socio-political events of that time, which it translated into a highly original artistic language without any reservations. Their works were steeped in the spirit of the 1970s and early 1980s, as well as topics such as ecology, global demography and the related side effects of accelerated urbanisation, alienation, militancy, repression by state institutions, and growing consumerism.
The International Art Collection Junij had organically grown because of the contacts with number of prominent artists. In 1996 Junij Association, represented by group’s founding member Stane Jagodič, donated the extensive collection to the Museum of Architecture and Design in Ljubljana. There are over 140 international artists with around 1300 works. The exhibition in Vienna represents the selection of previous exhibition Junij in June that took place in Museum of Architecture and Design in frames of 6th Photonic Moments festival in Ljubljana.
Grupa Junij exhibition is the result of collaboration between Photon – Centre for Contemporary Photography and Museum of Architecture and Design Ljubljana.
Exhibition is open until 16 December 2012!
www.photon.si
www.mao.si
www.korotan.com
Gallery hours:
Every day: 9 am – 1 pm / 2 pm – 9 pm
Supported by:
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2.11.2012.
Pjesme urednika DIOGEN pro kultura magazina na estonskom jeziku /
Poems of Editor in chief of DIOGEN pro culture magazine in Estonian language
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Deset pjesama književnika Sabahudina Hadžialića iz Sarajeva na estonskom jeziku u novembarskom broju (11/2012) magazina AKADEEEMIA iz Tartua, Estonija (gl. i odg. urednik Toomas Kiho) koje je preveo Univerzitetski profesor i pisac Lauri Piter (koordinirano od strane Univerzitetskog profesora i pjesnika Jüri Talveta):
http://sabihadzi.weebly.com/akadeemia-magazine-estonia.html
Ten poems in Estonian language are published in
AKADEEMIA magazine No 11.- 2012 (Tartu, Estonia)
(Editor in chief: Toomas Kiho) translated by University professor and writer Lauri Piter (coordinated by University professor and poet Jüri Talvet)
http://sabihadzi.weebly.com/akadeemia-magazine-estonia.html
Ten poems in Estonian language are published in
AKADEEMIA magazine No 11.- 2012 (Tartu, Estonia)
(Editor in chief: Toomas Kiho) translated by University professor and writer Lauri Piter (coordinated by University professor and poet Jüri Talvet)
1.11.2012.
BALKAN U OČIMA SPISATELJICA -- GALERIJA BIH, PETAK, 2.11.2012. 10-14h
P. E. N. I N T E R N A T I O N A L
A World Association of Writers
_______________________________________
/ENGLISH BELOW/
OD SRCA VAS POZIVAMO NA
OBILJEŽAVANJE 20. GODIŠNJICE PEN CENTRA
U BOSNI I HERCEGOVINI
Kada: Petak 2. novembar 2012. godine, 10-14.00 sati
Gdje: Umjetnička galerija BiH, Zelenih beretki 8, Sarajevo
BALKAN U OČIMA SPISATELJICA
PEN Centar u BiH smatra da se spisateljicama, posebno na području Zapadnog Balkana, ne nudi dovoljno prostora za izražavanje stavova i izgrađivanje mreže suradnje i razumijevanja. Ovaj bi razgovor bio pokušaj da se podsjetimo koliko sjajnih spisateljica dolazi s ovih prostora i koliko njih u svojim radovima (ne samo u svojoj književnosti) afirmira ono što je cilj svakog demokratskog društva: gušenje nacionalizama, rušenje zidova mržnje i nerazumijevanja, pomirenje i kreativni pokušaj liječenja trauma uzrokovanih recentnim ratnim sukobima a pothranjenim vremenom siromaštva i tranzicije. Razgovor između šest gošći s područja Zapadnog Balkana (Hrvatska, Kosovo, Makedonija, Crna Gora, Slovenija, Srbija) i spisateljica iz BiH (Sarajevo, Tuzla, Banja Luka, Mostar). Vrijeme izlaganja 10-15 minuta.
O temi će govoriti: Adisa Bašić (Sarajevo), Mirjana Đurđević (Beograd), Marina Katnić Bakaršić (Sarajevo), Katica Kulavkova (Skoplje), Andrea Lešić (Sarajevo), PerinaMeić (Mostar), Venita Popović, (Zenica), Barbara Simoniti (Ljubljana) Svetlana Slapšak (Ljubljana-Beograd), Šejla Šehabović (Tuzla), Tanja Stupar Trifunović (Banjaluka), Edi Shukriu (Priština), Dragana Tripković (Podgorica).
Pozdravna riječ: Prof. dr. Zvonimir Radeljković, predsjednik PEN Centra u Bosni i Hercegovini.
Moderatorica: Dijala Hasanbegović
Zvanični jezici: bosanski, crnogorski, hrvatski, srpski
WE ARE HAPPY TO INVITE YOU TO CELEBRATE
20 YEARS OF PEN CENTER IN BOSNIA-HERZEGOVINA
When: Friday November 2nd, 2012
Where: Natonal Galerry of Bosnia-Herzegovina, Zelenih beretki 8, Sarajevo
- THE BALKANS AS SEEN BY WOMEN WRITERS
Adisa Bašić (Sarajevo), Mirjana Đurđević (Belgrade), Marina Katnić Bakaršić (Sarajevo), Katica Kulavkova (Skopje), Perina Meić (Mostar), Andrea Lešić (Sarajevo), Venita Popović, (Zenica), Barbara Simoniti(Ljubljana) Svetlana Slapšak (Ljubljana-Beograd), Šejla Šehabović (Tuzla), Tanja Stupar Trifunović (Banjaluka), Edi Shukriu (Priština), Dragana Tripković (Podgorica),.
Opening word: Zvonimir Radeljković, President of PEN Center in B&H
Moderator: Dijala Hasanbegović
Official languages: Bosnian, Croatian, Montenegrin, Serbian.
With kind support of:
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28.10.2012. Predstavljanje romana Dževada Karahasana u Sarajevu
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Uz posebnu čast i zadovoljstvo pozivamo Vas na
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25.10.2012. DIOGEN pro kultura magazin je medijski pokrovitelj i su-organizator, zajedno sa Hrvatskim društvom za znanost i umjetnost iz Sarajeva, predstavljanja knjige poezije UVID SADAŠNJOSTI pjesnikinje i naše autorice Ines Peruško-Rihtar iz Zagreba u Sarajevu 15.11.2012.g. Dobro došli...
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25.10.2012. - Dani Matice Hrvatske u Bosni i Hercegovini
24.10.2012.
Cyprus - a Literary Destination
Miguel Ángel Márquez Guerrero from Spain
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Kjersti Annesdatter Skomsvold from Norway
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DVADESET GODINA PEN CENTRA U BIH -- VEČE SA DUBRAVKOM UGREŠIĆ
P. E. N. I N T E R N A T I O N A L
A World Association of Writers
_______________________________________
Center in Bosnia-Herzegovina – Sarajevo
/ENGLISH BELOW/
S VELIKOM RADOŠĆU POZIVAMO VAS DA S NAMA OBILJEŽITE 20. GODIŠNJICU OD OSNIVANJA PEN CENTRA U BOSNI I HERCEGOVINI
KNJIŽEVNO VEČE SA DUBRAVKOM UGREŠIĆ
Srijeda 31. oktobar/listopad
Art atelje Figure, Sarajevo
Vrijeme: 19.00-21.00
Jedna od najprominentnijih evropskih spisateljica, Dubravka Ugrešić će svojom književnom večeri otvoriti obilježavanje 20. godišnjice PEN Centra u BiH (www.penbih.ba). U prisustvu publike i novinara autorica će govoriti o Balkanu i njenom doživljaju Balkana, o problemima roda i rodnih studija na ovim prostorima, o nacionalizmu u književnosti i jeziku i borbi protiv njega, o „narcizmu malih razlika“ koje čine naše kulturne kodove, o „teroru malog konteksta“ u smislu u kojem ga određuje Milan Kundera u svojim esejima, te o kulturnim vezama između zemalja prirodno upućenih jedne na druge. Da li doista govorimo tako različitim jezicima da se ne možemo razumjeti? Koliko se fenomen istočnoevropske književnosti „otopio“ s padom Berlinskog zida? Postoji li danas u Evropi disidentska književnost? Šta to znači za prostor država nastalih nakon raspada Jugoslavije? Je li potrebno da pisac uvijek bude „disident“?
Godine 2002. PEN Centar u Bosni i Hercegovini dodijelio je Dubravki Ugrešić Nagradu za očuvanje dostojanstva književnosti za vrijeme balkanskih ratova 1992-1995.
Više o Dubravki Ugrešić na: www.dubravkaugresic.com
O ovim i drugim pitanjima razgovarat će Dijala Hasanbegović, novinarka, i Nenad Veličković, književnik.
ENGLISH
WE ARE HAPPY TO INVITE YOU TO MARK 20 YEARS OF THE ESTABLISHING OF PEN CENTER IN BOSNIA-HERZEGOVINA, SARAJEVO
EVENING WITH DUBRAVKA UGRESIC
Wensday October 31st
Figure Art Atellier in Sarajevo 7.00 – 9.00 p.m.
One of the most prominent European writers, Ms. Dubravka Ugrešić (Zagreb, Croatia – Amsterdam, The Nederlands) will be key speaker to mark 20 years of the establishing of PEN Center in Bosnia-Herzegovina (www.penbih.ba). Ms. Ugrešić will talk about the Balkans and her interpretation of the Balkans, about gender issues, studies and problems related to that in this region, about nationalism in Balkans literature(s), and how to oppose it, about „the narcisism of small differences“ (Milan Kundera) that form our cultural codes; also about Kundera's „terror of a small context“, and about cultural relations between countries of the Western Balkans. Are the languages that we speak today really so different that we can no longer understand each other? How much has the phenomenon of the Eastern-European Literature melted after the fall of the Berlin Wall? Is dissident literature present in Europe today at all? What does that mean for the states established upon the fall of Yugoslavia? Is in general it necessary for a writer to be a dissident?
In 2002 PEN Center in Bosnia-Herzegovina gave Mr. Ugrešić The Award for Preserving Dignity of Literature during Balkan wars 1991-1995.
More about Ms. Ugrešić on: www.dubravkaugresic.com
Ms. Dijala Hasanbegović, journalist, and Mr. Nenad Veličković, writer, will talk with Ms. Ugrešić.
A World Association of Writers
_______________________________________
Center in Bosnia-Herzegovina – Sarajevo
/ENGLISH BELOW/
S VELIKOM RADOŠĆU POZIVAMO VAS DA S NAMA OBILJEŽITE 20. GODIŠNJICU OD OSNIVANJA PEN CENTRA U BOSNI I HERCEGOVINI
KNJIŽEVNO VEČE SA DUBRAVKOM UGREŠIĆ
Srijeda 31. oktobar/listopad
Art atelje Figure, Sarajevo
Vrijeme: 19.00-21.00
Jedna od najprominentnijih evropskih spisateljica, Dubravka Ugrešić će svojom književnom večeri otvoriti obilježavanje 20. godišnjice PEN Centra u BiH (www.penbih.ba). U prisustvu publike i novinara autorica će govoriti o Balkanu i njenom doživljaju Balkana, o problemima roda i rodnih studija na ovim prostorima, o nacionalizmu u književnosti i jeziku i borbi protiv njega, o „narcizmu malih razlika“ koje čine naše kulturne kodove, o „teroru malog konteksta“ u smislu u kojem ga određuje Milan Kundera u svojim esejima, te o kulturnim vezama između zemalja prirodno upućenih jedne na druge. Da li doista govorimo tako različitim jezicima da se ne možemo razumjeti? Koliko se fenomen istočnoevropske književnosti „otopio“ s padom Berlinskog zida? Postoji li danas u Evropi disidentska književnost? Šta to znači za prostor država nastalih nakon raspada Jugoslavije? Je li potrebno da pisac uvijek bude „disident“?
Godine 2002. PEN Centar u Bosni i Hercegovini dodijelio je Dubravki Ugrešić Nagradu za očuvanje dostojanstva književnosti za vrijeme balkanskih ratova 1992-1995.
Više o Dubravki Ugrešić na: www.dubravkaugresic.com
O ovim i drugim pitanjima razgovarat će Dijala Hasanbegović, novinarka, i Nenad Veličković, književnik.
ENGLISH
WE ARE HAPPY TO INVITE YOU TO MARK 20 YEARS OF THE ESTABLISHING OF PEN CENTER IN BOSNIA-HERZEGOVINA, SARAJEVO
EVENING WITH DUBRAVKA UGRESIC
Wensday October 31st
Figure Art Atellier in Sarajevo 7.00 – 9.00 p.m.
One of the most prominent European writers, Ms. Dubravka Ugrešić (Zagreb, Croatia – Amsterdam, The Nederlands) will be key speaker to mark 20 years of the establishing of PEN Center in Bosnia-Herzegovina (www.penbih.ba). Ms. Ugrešić will talk about the Balkans and her interpretation of the Balkans, about gender issues, studies and problems related to that in this region, about nationalism in Balkans literature(s), and how to oppose it, about „the narcisism of small differences“ (Milan Kundera) that form our cultural codes; also about Kundera's „terror of a small context“, and about cultural relations between countries of the Western Balkans. Are the languages that we speak today really so different that we can no longer understand each other? How much has the phenomenon of the Eastern-European Literature melted after the fall of the Berlin Wall? Is dissident literature present in Europe today at all? What does that mean for the states established upon the fall of Yugoslavia? Is in general it necessary for a writer to be a dissident?
In 2002 PEN Center in Bosnia-Herzegovina gave Mr. Ugrešić The Award for Preserving Dignity of Literature during Balkan wars 1991-1995.
More about Ms. Ugrešić on: www.dubravkaugresic.com
Ms. Dijala Hasanbegović, journalist, and Mr. Nenad Veličković, writer, will talk with Ms. Ugrešić.
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22.10.2012.
David Lynch posjetio art kino Kriterion
U subotu, 19.10.2012. je u prepunoj kino sali sarajevskog art kina Kriterion održana regionalna premijera filma “Meditacija, kreativnost, mir” velikog umjetnika David Lyncha.
Nakon održane projekcije publici se lično obratio David Lynch iz svog dnevnog boravka i spremno odgovarao na pitanja publike vezana za svoj rad, kreativnost i lične uspjehe. Tom prilikom je i dao naslutiti da bi u budućnosti mogao posjetiti Bosnu i Hercegovinu i Sarajevo.
Moderator projekcije i razgovora je bio Haris Bilalović, poznati voditelj sa malih ekrana i jedna od najzaslužnijih osoba velike noći za sve poštovaoce rada David Lyncha.
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19.10.2012.
DIOGEN pro art magazine new issue
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DIOGEN pro kultura magazin je medijski pokrovitelj i su-organizator predstavljanja knjige poezije UVID SADAŠNJOSTI pjesnikinje i naše autorice Ines Peruško-Rihtar iz Zagreba u Sarajevu tokom novembra/studenog 2012.g.
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Naši Konkursi/ Natječaji u toku 2012.
Our ongoing competitions 2012. 
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18.10.2012.
| carton_dinvitation_le_moulin_dor.pdf |
17.10.2012.
5th namaTRE.ba biennial
5th namaTRE.ba biennial
Trebinje, Bosnia & Herzegovina
Independent platform for contemporary art: video / film / performance /
new media
5th namaTRE.ba biennial will be opened in 12/28 October 2012 at Academy of Fine & Visual Arts in Trebinje, Bosnia & Herzegovina
AKADEMIJA LIKOVNIH UMJETNOSTI TREBINJE / PETAK / 12.OKTOBAR / 20.00 h ACCADEMIA DI BELLE ARTI Trebinje / VENERDI / 12 ottobre / 20:00 h
namaTRE.ba project - independent platform for contemporary art: video / film / performance / new media. Nowadays it evolved to namaTRE.ba biennial. It is international biennial for all forms of video and film based contemporary art
list of participating artists 5th namaTRE.ba biennial: Alessio Rutigliano, Beate Hecher & Markus Keim, Edin Bajrić, Gresser Isabella, Gruppo Sinestetico,Hans Michael Bittner, Ivana Stojaković, Ivar Veermae, Marija Linciute, Marko Kumer Murč, Melinda Sefčić, Nada Arnaut, Ninia Sverdrup, Osvaldo Cibils, Ralph Klewitz, Silvio De Gracia, Susanna Flock, Sylvia Winkler & Stephan Koperl, Tina Willgren, Topp & Dubio, Valerie Wolf Gang, Wei-Ming Ho.
namaTRE.ba biennial
Igor Bosnjak
Garibaldijeva 7/31
89101 Trebinje
Bosna i Hercegovina
[email protected]
http://www.namatre.ba/
Trebinje, Bosnia & Herzegovina
Independent platform for contemporary art: video / film / performance /
new media
5th namaTRE.ba biennial will be opened in 12/28 October 2012 at Academy of Fine & Visual Arts in Trebinje, Bosnia & Herzegovina
AKADEMIJA LIKOVNIH UMJETNOSTI TREBINJE / PETAK / 12.OKTOBAR / 20.00 h ACCADEMIA DI BELLE ARTI Trebinje / VENERDI / 12 ottobre / 20:00 h
namaTRE.ba project - independent platform for contemporary art: video / film / performance / new media. Nowadays it evolved to namaTRE.ba biennial. It is international biennial for all forms of video and film based contemporary art
list of participating artists 5th namaTRE.ba biennial: Alessio Rutigliano, Beate Hecher & Markus Keim, Edin Bajrić, Gresser Isabella, Gruppo Sinestetico,Hans Michael Bittner, Ivana Stojaković, Ivar Veermae, Marija Linciute, Marko Kumer Murč, Melinda Sefčić, Nada Arnaut, Ninia Sverdrup, Osvaldo Cibils, Ralph Klewitz, Silvio De Gracia, Susanna Flock, Sylvia Winkler & Stephan Koperl, Tina Willgren, Topp & Dubio, Valerie Wolf Gang, Wei-Ming Ho.
namaTRE.ba biennial
Igor Bosnjak
Garibaldijeva 7/31
89101 Trebinje
Bosna i Hercegovina
[email protected]
http://www.namatre.ba/
15.10.2012.-
Regionalna premijera filma "Meditacija, kreativnost, mir"
David Lyncha u art kinu Kriterion, Sarajevo, Bosna i Hercegovina
Sedam dana nakon premijernog prikazivanja u Muzeju pokretnih slika (NYC) u subotu, 20. oktobra u sarajevskom art kinu Kriterion sa početkom u 20:20 sati bit će uprilićena regionalna premijera filma “Meditation, Creativity, Peace”. Nakon projekcije filma planiran je razgovor sa Bob Rothom (izvršni direktor David Lynch Foundation) koji će voditi Haris Bilalović (BHRT)
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09.10.2012. PRIGOVOR SRPSKOJ AKADEMIJI NAUKA I UMETNOSTI
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Aleksandar Jokić
Associate Professor
[email protected]
Philosophy Department
Portland State University
USA
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5.10.2012. INVITATION
| carton_dexpotourcoing_2.pdf |
5.10.2102.- Comunicato mostra libri d'artista
- Archivio di Comunicazione Visiva e Libri d'Artista
Viale John Fitzgerald Kennedy, 14
93017 San Cataldo CL (Italy)
ARTIST'S BOOKS OFFLINE/ONLINE - omaggio a John Cage nel centenario della nascita 1912-2012
a cura di Calogero Barba
inaugurazione sabato 6 ottobre 2012 ore 18,00
Sulla linea programmatica portata avanti da anni dall’Archivio di Comunicazione Visiva e Libri d’Artista, si snoda la mostra “Artist’s Books Offline/Online”, omaggio a John Cage nel centenario della nascita 1912-2012, a cura di Calogero Barba. L’evento, mette insieme diversi artisti visivi pioneri delle neoavanguardie internazionali con autori contemporanei sperimentali che praticano il libro d’artista in copia unica, in multiplo o in tiratura limitata, opere in forma di libro recentemente acquisite dalla collezione nissena. Della raccolta saranno esposti libri a stampa tipografica con tiratura editoriale, edizioni in proprio, opere concettuali, narrative art, opere plastiche e visive, poesia concreta, poesia sonora, poesia visiva, fluxus, scrittura visuale, pittura/scrittura, fanzine, riviste d’arte e poetiche, libri elettronici. Questa minima parte della collezione, unica nel suo genere, contiene significativi esemplari della seconda metà del Novecento e libri d'artista contemporanei eseguiti all’inizio del terzo millennio, offre inoltre agli amatori e ai fruitori occasionali una panoramica sul libro d'artista intermediale e il ruolo significativo giocato dalle neoavanguardie in Europa negli anni Sessanta e Settanta. Alla luce delle recenti ricerche sul libro d’artista sappiamo che il fenomeno del librismo o in forma di libro non ha seguito un percorso lineare e funzionale alla storia dell’arte.
Ignazio Apolloni, Nobuyoshi Araki, Calogero Barba, Umberto Basso, Carlo Belloli, Jacopo Benassi - Canecapovolto - Federico Lupo, Max Bense, Rosetta Bernardi, Luisa Bergamini, Joseph Beuys, Peter Blake, John Cage, Giuseppe Capogrossi, Francesco Antonio Caporale, Ugo Carrega, Stefano Caruano, Giuseppe Chiari, Henri Chopin, Ryosuke Cohen, Letterio Consiglio, Silvio Craia, Eleonora Cumer, Maria Pia Fanna Roncoroni, Vincenzo Ferrari, Luc Fierens, Salvatore Fiume, Giovanni Fontana, Nicola Frangione, Enrico Gabrielli - Martini Merlini –Tellas, Lillo Giuliana, Eugen Gomringer, Gruppo Sinestetico, Emilio Isgrò, Michele Lambo, Carlo Lauricella, Alonso Lentini, Arrigo Lora Totino, Gian Ruggero Manzoni - Omar Galliani, Enzo Mari - Carla Vasio, Italo Medda, Eugenio Miccini, Mauro Molinari, Bruno Munari, Fabian Negrin, Marcello Palminteri, Antonio Paradiso, Luca Maria Patella, Enzo Patti, Giancarlo Pavanello, Michelangelo Pistoletto, Teresa Pollidori, Man Ray, Giuseppina Riggi, Mapi Rivera, Niki de Saint Phalle, Antonio Saladino, Salvatore Salamone, Antonio Sassu, Alba Savoi, Alfonso Siracusa, Franco Spena, Fausta Squatriti, Sol LeWitt, Delfo Tinnirello, Patrik Thomas, Agostino Tulumello.
Orario d’apertura 18,00 - 20,00
Ingresso libero
Informazioni - 3291682948
sito web - www.calogerobarba.it
email – [email protected]
http://www.grupposinestetico.it/
Viale John Fitzgerald Kennedy, 14
93017 San Cataldo CL (Italy)
ARTIST'S BOOKS OFFLINE/ONLINE - omaggio a John Cage nel centenario della nascita 1912-2012
a cura di Calogero Barba
inaugurazione sabato 6 ottobre 2012 ore 18,00
Sulla linea programmatica portata avanti da anni dall’Archivio di Comunicazione Visiva e Libri d’Artista, si snoda la mostra “Artist’s Books Offline/Online”, omaggio a John Cage nel centenario della nascita 1912-2012, a cura di Calogero Barba. L’evento, mette insieme diversi artisti visivi pioneri delle neoavanguardie internazionali con autori contemporanei sperimentali che praticano il libro d’artista in copia unica, in multiplo o in tiratura limitata, opere in forma di libro recentemente acquisite dalla collezione nissena. Della raccolta saranno esposti libri a stampa tipografica con tiratura editoriale, edizioni in proprio, opere concettuali, narrative art, opere plastiche e visive, poesia concreta, poesia sonora, poesia visiva, fluxus, scrittura visuale, pittura/scrittura, fanzine, riviste d’arte e poetiche, libri elettronici. Questa minima parte della collezione, unica nel suo genere, contiene significativi esemplari della seconda metà del Novecento e libri d'artista contemporanei eseguiti all’inizio del terzo millennio, offre inoltre agli amatori e ai fruitori occasionali una panoramica sul libro d'artista intermediale e il ruolo significativo giocato dalle neoavanguardie in Europa negli anni Sessanta e Settanta. Alla luce delle recenti ricerche sul libro d’artista sappiamo che il fenomeno del librismo o in forma di libro non ha seguito un percorso lineare e funzionale alla storia dell’arte.
Ignazio Apolloni, Nobuyoshi Araki, Calogero Barba, Umberto Basso, Carlo Belloli, Jacopo Benassi - Canecapovolto - Federico Lupo, Max Bense, Rosetta Bernardi, Luisa Bergamini, Joseph Beuys, Peter Blake, John Cage, Giuseppe Capogrossi, Francesco Antonio Caporale, Ugo Carrega, Stefano Caruano, Giuseppe Chiari, Henri Chopin, Ryosuke Cohen, Letterio Consiglio, Silvio Craia, Eleonora Cumer, Maria Pia Fanna Roncoroni, Vincenzo Ferrari, Luc Fierens, Salvatore Fiume, Giovanni Fontana, Nicola Frangione, Enrico Gabrielli - Martini Merlini –Tellas, Lillo Giuliana, Eugen Gomringer, Gruppo Sinestetico, Emilio Isgrò, Michele Lambo, Carlo Lauricella, Alonso Lentini, Arrigo Lora Totino, Gian Ruggero Manzoni - Omar Galliani, Enzo Mari - Carla Vasio, Italo Medda, Eugenio Miccini, Mauro Molinari, Bruno Munari, Fabian Negrin, Marcello Palminteri, Antonio Paradiso, Luca Maria Patella, Enzo Patti, Giancarlo Pavanello, Michelangelo Pistoletto, Teresa Pollidori, Man Ray, Giuseppina Riggi, Mapi Rivera, Niki de Saint Phalle, Antonio Saladino, Salvatore Salamone, Antonio Sassu, Alba Savoi, Alfonso Siracusa, Franco Spena, Fausta Squatriti, Sol LeWitt, Delfo Tinnirello, Patrik Thomas, Agostino Tulumello.
Orario d’apertura 18,00 - 20,00
Ingresso libero
Informazioni - 3291682948
sito web - www.calogerobarba.it
email – [email protected]
http://www.grupposinestetico.it/
2.10.2012. Najava dešavanja u art kinu Kriterion, Sarajevo, Bosna i Hercegovina
ŽELJEZNO NEBO U ART KINU KRITERION
Sarajevo, 02. oktobar 2012. godine – U četvrtak u art kinu Kriterion sa početkom u 20:20 sati je premijera filma „Željezno nebo”, koji je od strane kritičara i fanova okarakterisan kao najluđa priča godine.
Film "Željezno nebo" je SF komedija režirana od strane finskog reditelja Timo Vuorensole. Muziku za ovaj film je uradio slovenački bend Laibach (osnivači pokreta Neue Slowenische Kunst).
"Željezno nebo" je svoju premijeru imao na filmskom festivalu u Berlinu, nakon čega su uslijedile premijere u zemljama širom Evrope.
Nakon što je napisan scenarij za “Željezno nebo” te za njega izrađen budžet, tvorci filma su bili iznenađeni kad su saznali da im za ostvarenje ambiciozne vizije treba 7 miliona dolara. Donacije su bile isključene, jer finski zakon ne dopušta primanje ili davanje donacija ako nije riječ o neprofitabilnim udrugama. Tvorci filma su došli na ideju da prodaju pakete po cijeni od 50 eura koji sadrže promo matrijale, knjigu, službeni certifikat, DVD o izradi filma i druge različite sitnice. Time ne samo da su povećali svoj prihod uz neznatno veći trošak, nego su i povećali zanimanje donatora, odnosno fanova.
Radnja je prezentirana na jako kreativan način. Film ismijava, ne samo američku već i svjetsku politiku; u jednoj sceni vidimo parodiju na najpoznatiju scenu iz filma "Hitler: Konačni pad"; a predsjednica SAD-a izgleda kao Sarah Palin. Što se tiče uloga, glumci su ispunili očekivanja, pogotovo francuska glumica Julia Dietze u ulozi Renate. U "Željeznom nebu" nema potrebe tražiti logiku; ovo je parodija na politiku historije i sadašnjosti.
Film „Željezno nebo” govori o krahu nacista u Drugom svjetskom ratu i njihovom bijegu na Mjesec. Kad američki astronauti ugroze njihovu bazu, Mjesečev Fuhrer odluči da je vrijeme za povratak. Četvrti Reich odluči poslati dva nacistička oficira da pripreme invaziju na Zemlju. Nacistička leteća NLO armada je spremna na napad, a vremena je sve manje.
„Željezno nebo” će biti na repertoaru od 04. – 10. oktobra u terminu od 20:20 sati. Cijena ulaznice iznosi 5 KM, a za studente 4 KM.
U 18 sati je na repertoaru film „Laku noć Sofia”, koji govori o mladoj djevojci koja prolazi kroz strašan gubitak i lutajući ulicama svog grada vraća se natrag svojim korijenima i svojoj boli. Reditelj filma Leonardo Moro ga je posvetio svom ocu, jer njegova posljednja sjećanja na njega su povezana sa Sofiom i njenom boli.
Cijena ulaznice za ovaj film iznosi 3 KM.
U petak, 05. oktobra u art kinu Kriterion sa početkom u 22 sata Progressive Sevdah u saradnji sa Kriterionom započinju novi serijal evenata pod nazivom „Deep In Space“, koji publici nude zvuke deep-house, tech-house i techna. Enjay, Da Hox i Extenzion su zaduženi za odličan provod do ranih jutarnjih sati. Cijena ulaznice iznosi 5 KM.
Film "Željezno nebo" je SF komedija režirana od strane finskog reditelja Timo Vuorensole. Muziku za ovaj film je uradio slovenački bend Laibach (osnivači pokreta Neue Slowenische Kunst).
"Željezno nebo" je svoju premijeru imao na filmskom festivalu u Berlinu, nakon čega su uslijedile premijere u zemljama širom Evrope.
Nakon što je napisan scenarij za “Željezno nebo” te za njega izrađen budžet, tvorci filma su bili iznenađeni kad su saznali da im za ostvarenje ambiciozne vizije treba 7 miliona dolara. Donacije su bile isključene, jer finski zakon ne dopušta primanje ili davanje donacija ako nije riječ o neprofitabilnim udrugama. Tvorci filma su došli na ideju da prodaju pakete po cijeni od 50 eura koji sadrže promo matrijale, knjigu, službeni certifikat, DVD o izradi filma i druge različite sitnice. Time ne samo da su povećali svoj prihod uz neznatno veći trošak, nego su i povećali zanimanje donatora, odnosno fanova.
Radnja je prezentirana na jako kreativan način. Film ismijava, ne samo američku već i svjetsku politiku; u jednoj sceni vidimo parodiju na najpoznatiju scenu iz filma "Hitler: Konačni pad"; a predsjednica SAD-a izgleda kao Sarah Palin. Što se tiče uloga, glumci su ispunili očekivanja, pogotovo francuska glumica Julia Dietze u ulozi Renate. U "Željeznom nebu" nema potrebe tražiti logiku; ovo je parodija na politiku historije i sadašnjosti.
Film „Željezno nebo” govori o krahu nacista u Drugom svjetskom ratu i njihovom bijegu na Mjesec. Kad američki astronauti ugroze njihovu bazu, Mjesečev Fuhrer odluči da je vrijeme za povratak. Četvrti Reich odluči poslati dva nacistička oficira da pripreme invaziju na Zemlju. Nacistička leteća NLO armada je spremna na napad, a vremena je sve manje.
„Željezno nebo” će biti na repertoaru od 04. – 10. oktobra u terminu od 20:20 sati. Cijena ulaznice iznosi 5 KM, a za studente 4 KM.
U 18 sati je na repertoaru film „Laku noć Sofia”, koji govori o mladoj djevojci koja prolazi kroz strašan gubitak i lutajući ulicama svog grada vraća se natrag svojim korijenima i svojoj boli. Reditelj filma Leonardo Moro ga je posvetio svom ocu, jer njegova posljednja sjećanja na njega su povezana sa Sofiom i njenom boli.
Cijena ulaznice za ovaj film iznosi 3 KM.
U petak, 05. oktobra u art kinu Kriterion sa početkom u 22 sata Progressive Sevdah u saradnji sa Kriterionom započinju novi serijal evenata pod nazivom „Deep In Space“, koji publici nude zvuke deep-house, tech-house i techna. Enjay, Da Hox i Extenzion su zaduženi za odličan provod do ranih jutarnjih sati. Cijena ulaznice iznosi 5 KM.
27.9.2012. Najava dešavanja u art kinu Kriterion, Sarajevo, Bosna i Hercegovina
tokom vikenda (filmski i event program)
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I od ovog četvrtka, svi posjetioci art kina Kriterion imat će priliku da od 20:20 sati pogledaju dokumentarni film „Marina Abramović:Umjetnik je prisutan”, koji će se prikazivati i narednih sedam dana zbog velikog interesovanja publike.
U 18 sati je na repertoaru film „Sonja”, a prikazivat će se od 27. septembra - 03. oktobra.
Tokom vikenda, za sve one koje zanima odličan provod u Kriterionu ga svakako neće nedostajati. U petak, 28. septembra sa početkom u 23 sata Bass Express sarajevskoj publici predstavlja Mondena.
U subotu, 29. septembra, također u 23 sata u goste nam dolaze članovi Syrphe izdavačke kuće, koja je posvećena elektronskoj muzici uglavnom sa područja Afrike i Azije, a ovom prilikom u Sarajevo dolaze Infinite Moment of Composure (Bejrut) i Tasjill Moujahed (Berlin/Bejrut).
U prilogu možete pronaći više informacija.
Trailer filma "Marina Abramović:Umjetnik je prisutan": http://www.youtube.com/watch?v=jY3VwmiT3j4
U 18 sati je na repertoaru film „Sonja”, a prikazivat će se od 27. septembra - 03. oktobra.
Tokom vikenda, za sve one koje zanima odličan provod u Kriterionu ga svakako neće nedostajati. U petak, 28. septembra sa početkom u 23 sata Bass Express sarajevskoj publici predstavlja Mondena.
U subotu, 29. septembra, također u 23 sata u goste nam dolaze članovi Syrphe izdavačke kuće, koja je posvećena elektronskoj muzici uglavnom sa područja Afrike i Azije, a ovom prilikom u Sarajevo dolaze Infinite Moment of Composure (Bejrut) i Tasjill Moujahed (Berlin/Bejrut).
U prilogu možete pronaći više informacija.
Trailer filma "Marina Abramović:Umjetnik je prisutan": http://www.youtube.com/watch?v=jY3VwmiT3j4
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24.9.2012. - KATHRIN SCHMIDT književno veče, Sarajevo, Bosna i Hercegovina
Evropski rezidencijalni program za pisce i književne prevoditelje
Sarajevo 2011.-2012.
Sarajevski otvoreni centar i Goethe-Institut srdačno Vas pozivaju na:
Književno veče sa Kathrin Schmidt
Moderatorica: Ivana Nevesinjac
Srijeda, 26. septembar 2012, 18h
Goethe-Institut
Bentbaša 1a
Čitanje će biti na B/H/S i njemačkom jeziku.
Kathrin Schmidt je rođena 1958. godine u Gothi. Studije socijalne psihologije završava u Jeni. 1986. godine, završava kurs na Institutu za književnost u Leipzigu i danas radi kao slobodna autorica, koja piše prozu i poeziju.
Dobitnik je mnogobrojnih nagrada, između ostalog i Leonce- i- Lena nagrada 1993. god. Najveći uspjeh do sada predstavlja njen autobiografski roman Nećeš umrijeti, koji je 2009. godine osvojio nagradu SWR televizijske kuće, kao i Njemačku nagradu za knjigu. Roman opisuje gubitak orijentacije i moći govora nakon krvarenja u mozgu jedne spisateljice, te proces njenog oporavka.
Evropski rezidencijalni program za književnike i književne prevoditelje zajednički je program Književne mreže TRADUKI i Sarajevskog otvorenog centra, a boravak spisateljice Kathrin Schmidt podržava Goethe-Institut u Sarajevu. Ideja programa jeste autorima/cama i prevoditeljima/cama pružiti mogućnost da mjesec dana intenzivno rade na svojim rukopisima, da se upoznaju sa društvenim i književnim prilikama u Bosni i Hercegovini, a da se istovremeno njihov književni i prevoditeljski rad predstavi bosanskohercegovačkoj publici.
Sarajevo 2011.-2012.
Sarajevski otvoreni centar i Goethe-Institut srdačno Vas pozivaju na:
Književno veče sa Kathrin Schmidt
Moderatorica: Ivana Nevesinjac
Srijeda, 26. septembar 2012, 18h
Goethe-Institut
Bentbaša 1a
Čitanje će biti na B/H/S i njemačkom jeziku.
Kathrin Schmidt je rođena 1958. godine u Gothi. Studije socijalne psihologije završava u Jeni. 1986. godine, završava kurs na Institutu za književnost u Leipzigu i danas radi kao slobodna autorica, koja piše prozu i poeziju.
Dobitnik je mnogobrojnih nagrada, između ostalog i Leonce- i- Lena nagrada 1993. god. Najveći uspjeh do sada predstavlja njen autobiografski roman Nećeš umrijeti, koji je 2009. godine osvojio nagradu SWR televizijske kuće, kao i Njemačku nagradu za knjigu. Roman opisuje gubitak orijentacije i moći govora nakon krvarenja u mozgu jedne spisateljice, te proces njenog oporavka.
Evropski rezidencijalni program za književnike i književne prevoditelje zajednički je program Književne mreže TRADUKI i Sarajevskog otvorenog centra, a boravak spisateljice Kathrin Schmidt podržava Goethe-Institut u Sarajevu. Ideja programa jeste autorima/cama i prevoditeljima/cama pružiti mogućnost da mjesec dana intenzivno rade na svojim rukopisima, da se upoznaju sa društvenim i književnim prilikama u Bosni i Hercegovini, a da se istovremeno njihov književni i prevoditeljski rad predstavi bosanskohercegovačkoj publici.
14.9.2012. - DIOGEN pro kultura magazin dijeli sa vama
Pozivnicu za premijeru filma "Sonja" - druženje sa rediteljicom i producentom
art Kinu "Kriterion", Sarajevo, Bosna i Hercegovina (ponedjeljak, 17.9.2012.)
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U art kinu Kriterion u ponedjeljak je premijera dokumentarnog filma „Sonja”, koji prati život i nasljeđe jugoslovenske glumice Sonje Savić.
Osamdesetih godina 20. stoljeća svojom posebnom pojavom izvršila je desant na jugoslavensku kinematografiju. Sonja Savić postaje urbana ikona jugoslavenske generacije, koju na pragu zrelosti dočekuje krvavi raspad zemlje i kulturnog prostora. Sarajlijama je ostala u sjećanju po svom dolasku u ovaj grad čim je mogla – jednim od prvih autobusa koji je nakon rata iz Beograda išao za Sarajevo. Film „Sonja” će biti na repertoaru art kina Kriterion od 17. - 19. septembra u terminu od 20:20 sati. Cijena ulaznice iznosi 5 KM, dok studenti ulaznicu mogu kupiti po cijeni od 4 KM. U 18 sati je na repertoaru film " Draquila: Italija drhti”, a prikazivat će se od 17. – 19. septembra. Trailer filma "Sonja": http://www.youtube.com/watch?v=n-Wwc2ioCGo Još jednom Vas napominjem na druženje sa rediteljicom filma Draganom Kanjevac i producentom filma Nenadom Veličkovićem u 19 sati u ponedjeljak u art kinu Kriterion. Molimo Vas da Vašim prisustvom uveličate premijeru dokumentarnog filma, kao i da na ovaj način odamo respekt velikanu jugoslovenske filmske umjetnosti |
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"Ne osjećaj zavist prema onima što baklju nose / dogorjeće u njihovim rukama"
S.H.
13.9.2012.
Gl. i odg. urednik DIOGEN pro kultura magazina i MaxMinus magazina, književnik Sabahudin Hadžialić iz Sarajeva (Član Društva pisaca BiH, Društva hrvatskih književnika Herceg-Bosne, Udruženja književnika Srbije i Udruženja književnika Crne Gore) je, uz pjesnikinju Ludmilu Čebotarevu (Izrael), jedini zastupljeni pjesnik na ekskluzivnom WWW sajtu posvećen književniku Mihailu Bulgakovu i romanu „Majstor i Margarita" koji uređuje Jan Vanhellemon (Moskva, Rusija): http://www.masterandmargarita.eu/ru/05media/poeziehadzialic.html
Sabahudin Hadžialić je predstavljen pjesmom „Majstor i Margarita i XXI stoljeće“ (prvi put objavljena u Večernjim novostima u Beogradu, 2009.g. a 2012.g., u prevodu Anye Reich, i od strane Udruženja pjesnika Malte u njihovom magazinu Verses, 2012.g.).
Izdavačka kuća Binder iz Beograda (Srbija) je upravo objavila knjige:
1. GORKI MED MEDIJA, aforizmi o novinarstvu, priredili Bane Jovanović i Vitomir Teofilović. Zastupljeni su aforizmi i Sabahudina Hadžialića...
2. Knjigu SATIRIČNE PRIČE 2011, objavljene u ETNI, časopisu za satiru iz Beograda (Srbija), priredila Vesna Denčić. Zastupljene su i kratke priče Sabahudina Hadžialića...
Sabahudin Hadžialić je predstavljen pjesmom „Majstor i Margarita i XXI stoljeće“ (prvi put objavljena u Večernjim novostima u Beogradu, 2009.g. a 2012.g., u prevodu Anye Reich, i od strane Udruženja pjesnika Malte u njihovom magazinu Verses, 2012.g.).
Izdavačka kuća Binder iz Beograda (Srbija) je upravo objavila knjige:
1. GORKI MED MEDIJA, aforizmi o novinarstvu, priredili Bane Jovanović i Vitomir Teofilović. Zastupljeni su aforizmi i Sabahudina Hadžialića...
2. Knjigu SATIRIČNE PRIČE 2011, objavljene u ETNI, časopisu za satiru iz Beograda (Srbija), priredila Vesna Denčić. Zastupljene su i kratke priče Sabahudina Hadžialića...
11.9.2012. In Memoriam of Dumitru D. Ifrim (1937-2005), Romania
Book of poetry 2012.
Translated into English by Clelia Ifrim, Publisher Editura Universitara, Bucharest, Romania
Info 2012 - I part /I dio
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Info 2010-2012
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Copyright © 2015 Peter Tase & Sabahudin Hadžialić
Design: Sabi / Autors & Sabahudin Hadžialić. Design LOGO - Stevo Basara.
Freelance gl. i odg. urednik od / Freelance Editor in chief as of 2009: Sabahudin Hadžialić
All Rights Reserved. Publishers and owners: Peter Tase & Sabahudin Hadžialić
Whitefish Bay, WI, United States of America
Diogen pro kultura magazin (Online)
ISSN 2296-0929
Diogen pro kultura magazin (Print)
ISSN 2296-0937
Library of Congress USA / Biblioteka - Knjižnica Kongresa SAD
Contact Editorial board E-mail: [email protected];
Narudžbe/Order: http://www.diogenpro.com/diogen-all-in-one.html
Pošta/Mail USA: Peter Tase, 5023 NORTH BERKELEY BLVD. WHITEFISH BAY, WI, 53217, USA
Pošta/Mail BiH: Sabahudin Hadžialić, Grbavička 32, 71000 Sarajevo i/ili Dr. Wagner 18/II, 70230 Bugojno, Bosna i Hercegovina
Design: Sabi / Autors & Sabahudin Hadžialić. Design LOGO - Stevo Basara.
Freelance gl. i odg. urednik od / Freelance Editor in chief as of 2009: Sabahudin Hadžialić
All Rights Reserved. Publishers and owners: Peter Tase & Sabahudin Hadžialić
Whitefish Bay, WI, United States of America
Diogen pro kultura magazin (Online)
ISSN 2296-0929
Diogen pro kultura magazin (Print)
ISSN 2296-0937
Library of Congress USA / Biblioteka - Knjižnica Kongresa SAD
Contact Editorial board E-mail: [email protected];
Narudžbe/Order: http://www.diogenpro.com/diogen-all-in-one.html
Pošta/Mail USA: Peter Tase, 5023 NORTH BERKELEY BLVD. WHITEFISH BAY, WI, 53217, USA
Pošta/Mail BiH: Sabahudin Hadžialić, Grbavička 32, 71000 Sarajevo i/ili Dr. Wagner 18/II, 70230 Bugojno, Bosna i Hercegovina