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DIOGEN pro culture magazine inbox_for artists worldwide 2014
1.9.2014
Art competitions / call for entries / awards worldwide / fellowship / festivals
Jerwood Encounters: 3-PhaseJerwood Encounters: 3-Phase
A project by Eastside Projects, Birmingham; g39, Cardiff; and Jerwood Visual Arts, London Deadline: 15 September 2014 Membership to ESP or WARP required Jerwood Encounters: 3-Phase is a new commissioning project that aims to set up a space of encounter between the developing bodies of work and thinking of two artists and three visual arts organisations. Opportunity This is an exhibition and development opportunity for two early career artists to make and exhibit new work, with curatorial and practical support from Eastside Projects (Birmingham), g39 (Cardiff) and Jerwood Visual Arts (London). Each artist will develop solo shows for the second gallery at Eastside Projects and Unit #1 g39 and present work in a two person exhibition at Jerwood Visual Arts, London. One artist will be recruited through Eastside Projects’ Extra Special People associates scheme, and one artist will be recruited through g39’s WARP programme. You must be part of one of these networks to apply. Who is it for? Artists applying must be part of the Extra Special People or WARP networks. You can make work in any media. You must be living and working outside London. Selected artists will be in the process of establishing their careers, but will not yet have had significant opportunities to show work outside their home region. We are looking for those who will benefit the most from the exhibition opportunities, developmental support and dialogue on offer. What is on offer? Each artist will receive: A solo exhibition at Eastside Projects in January or March 2015. An exhibition at Jerwood Visual Arts (showing alongside the other selected artist) in May 2015. A solo exhibition at g39 in September or October 2015. A fee of £1,700 and up to £3,200 for exhibition production and £250 for travel costs. Mentoring and practical support from Eastside Projects, Jerwood Visual Arts and g39. A publication will be produced for the project and, in discussion with the artist, a writer will be engaged to write on or around each artist’s work. The Jerwood Visual Arts’ writer in residence will also write about the exhibition for the Jerwood Visual Arts blog. An events programme will run alongside the exhibitions. What are we Looking for? Ambition, compelling ideas and a commitment to developing an outstanding art practice. You are invited to propose how, through this opportunity, you might achieve what has previously been just out of reach; how the project will enable you to crystallise your current research, focus your practice and develop your work and career. Proposals should identify what would make the difference for you at this point and how the opportunity will enable a breakthrough in your practice. The exhibitions should be seen as an opportunity to test out ideas and bring into reality the next stage of your development, with the support of Eastside Projects, g39 and Jerwood Visual Arts throughout. Selection Process Artists should apply directly to Eastside Projects or g39, depending on the network you are a part of. All proposals will then be reviewed by a panel, which will include representatives from Eastside Projects, g39 and Jerwood Visual Arts. Following this, shortlisted artists will be invited to an interview. From these interviews one artist/collaborative practice from each network will be selected. How to apply You should make your application directly to either Eastside Projects or g39; artists can apply once as an individual and once as part of a collaborative practice. Applications should be made by email to: [email protected] or [email protected] Applications should include: 1. Your name, contact details (email, address, telephone number and website address). 2. A 500 word proposal. 3. Evidence of your current and recent practice in the form of one of the following: A selection of up to ten images OR A direct link to a showreel of film and video work (maximum duration 5 minutes) uploaded to Youtube or Vimeo and (if necessary) password protected with the password: 3PHASE OR Audio work (maximum duration 5 minutes) uploaded to Soundcloud. 4. Description of work submitted and 200 words explaining why you chose to send this material. 5. An up to date CV Please email your application as a single PDF file (for this we recommend PDF Forge). Please note we will only accept applications below 5mb in size. The closing date for applications is 5pm Monday 15th September. Timeline and Further Information 15 September 2014: Closing date for applications wc 29 September 2014: Interviews and selection Oct 2014 – April 2015: Development time, with curatorial support and mentoring from Eastside Projects, g39 and Jerwood Visual Arts. 23 Jan – 28 Feb 2015: Solo show in Eastside Projects second gallery. 6 Mar – 11 April 2015: Solo show in Eastside Projects second gallery. 13 May – 21 June 2015: Exhibition at Jerwood Visual Arts; launch of exhibition publication. September 2015: Solo show at Unit #1 g39. October 2015: Solo show at Unit #1 g39. Eastside Projects: www.eastsideprojects.org Eastside Projects makes art public g39: www.g39.org g39 is an artist-run gallery in the centre of Cardiff, Wales’ capital city. The organisation recently relocated from a narrow three storey building where it originated, to an expansive warehouse. The gallery curates between six and eight exhibitions per year and often hosts events in the interim weeks and in addition works in offsite locations for individual projects. The organisation runs Wales Artist Resource Programme – WARP - an open-access resource and training space for artists. g39 focuses on contemporary work and consciously programmes a mix of work from Wales with work from further afield, placing work by established names alongside work by emerging or lesser known artists. The focus is on experimentation and risk and g39 aims to provide the opportunities to showcase new work rather than relying on selling. Jerwood Visual Arts: www.jerwoodvisualarts.org Jerwood Visual Arts is a contemporary gallery programme based at Jerwood Space, London and on tour across the UK. It is run and funded by Jerwood Charitable Foundation, often in partnership with organisations including Eastside Projects, g39, Film and Video Umbrella, Photoworks and Forestry Commission England. Through Jerwood Visual Arts we aim to provide an independent space focused first and foremost on artist development. We work with early career artists to commission and present new work and to take artistic risks, often trying something new for the first time. Central to the programme is the provision of meaningful budgets for commissioning and production, an excellent gallery team offering practical and curatorial support, and well-resourced press and marketing activity around each artist’s work. All of the projects we undertake begin with these principles and are then designed in response to current context and to what artists need and want. 
The Shape Open submission: [in]visible
The Shape Open submission: [in]visible Deadline: 8 September 2014 Application fee: The recommended fee for this submission is £10 donation Shape invites artists to submit work in response to the theme '[in]visible' for a great showcase opportunity at Shape Gallery Westfield Stratford and a £1000 prize. The Shape Open is an annual call-out for artists to submit work in response to a disability-focused theme. Open to disabled and non-disabled artists, this is the third year that Shape has offered this exciting opportunity. Internationally renowned artist and Shape Open patron Yinka Shonibare MBE said: "The Shape Open provides a fantastic platform for disabled artists to show their work. Such exhibitions offer great opportunities for artists to be discovered by institutions and large audiences. Similar exhibitions have helped contribute to the development of my own career." Presented by disability-led arts organisation Shape, the Shape Open has helped many disabled artists to further their careers by increasing their profile. Many former Shape Open Artists have gone on to receive bursaries as well as further showcase opportunities, including at Liberty Festival in August and Southbank Centre's Unlimited Festival in September. Exhibiting artists will be selected by a panel of arts industry judges with the top 50 pieces being showcased in the Shape Open Exhibition at Shape Gallery Westfield from 23 October 2014 to 11 January 2015. The artist who produces the most exceptional work will receive a £1000 prize. Shape welcomes individual interpretations to this year's theme. 2D, 3D and video works are accepted. Submission deadline: Monday 8 September 2014, 12 pm. How to apply: For 2D and 3D work please submit via this online form: http://fs30.formsite.com/ShapeArts/shapeopen2014/ For video work please submit via this online form: http://fs30.formsite.com/ShapeArts/shapeopen2014video/ INFORMATION, IMAGES, INTERVIEWS CONTACT: James Monteith on 020 7424 7330 / [email protected] Check out our gallery at Westfield, more info here Notes to editors: Shape is a disability-led arts organisation working to improve access to culture for disabled people by developing opportunities for disabled artists, training cultural institutions to be more open to disabled people, and running participatory arts and development programmes. www.shapearts.org.uk 
Graduate Fellowships - The City College of New York (CUNY)MFA and MA programs
Application deadlines: Digital and Interdisciplinary Art Practice (DIAP) MFA: February 1, 2015 (fall 2015) Studio Art MFA: October 1, 2014 (spring 2015) & March 1, 2015 (fall 2015) Art History MA (Museum Studies): November 15, 2014 (spring 2015) & May 15, 2015 (fall 2015) Art Education MA: November 1, 2014 (spring 2015) & March 15, 2015 (fall 2015) Why study art at The City College of New York? – Competitive full and partial tuition fellowships for first- and second-year students in all graduate programs – Active dialogue among the programs, students, and faculty – Full schedule of lectures and visiting artist studio visits – Collaborative and individual studio space for MFA students – Faculty comprised of nationally and internationally recognized artists and scholars – Collaborations with NYC art institutions – Teaching opportunities – Individual attention, small class sizes – Historic campus with Neo-Gothic architecture in Manhattan http://www.ccny.cuny.edu/art/ The Digital and Interdisciplinary Art Practice (DIAP) MFA is a research-oriented program in which students individually or collaboratively explore aspects related to digital media art including but not limited to, Narrative and Non-narrative Time-based Art, Sound Art, Digital Cultures, Interactivity, Performance, Queer media, Cyber gender, Digital Activism, Spatial Mapping and Hybrids. DIAP moves beyond the traditional studio environment to stimulate cross-disciplinary practice. DIAP students work in a large shared studio/lab with access to a multitude of equipment. Part-time option possible. Subscribe to DIAP's mailing list for events, updates and admission information. http://edm.arts.ccny.cuny.edu/diap/ The MFA in Studio Art is a two-year, sixty-credit program comprised of a close-knit community of exceptional students, working with committed faculty with expertise in a wide range of mediums and approaches to art making. Students working across disciplines have their own studio spaces at CCNY in Manhattan. The first year is spent on work emphasizing experimentation and growth, and the last year focusing those experimentations into a solo thesis exhibition mounted in the Art Department's gallery. http://edm.arts.ccny.cuny.edu/art/programs/mfa-studio-art/ The MA in Art History is a 30-credit academic program with the option to pursue concentrations in Art Museum Studies or Art Museum Education, both of which are 36 credits. The program offers an array of art history and museum-based courses specializing in global modernisms. New York's dynamic arts culture, including its thriving contemporary art scene, are featured in the courses, and the city's diverse museums and galleries are available for research and internships http://edm.arts.ccny.cuny.edu/museum-studies/ The MA in Art Education with or without certification prepares students to work as reflective artist-educators who teach in multiple settings, including schools, community centers, museums, and alternative learning sites. http://ccnyarted.wordpress.com/ The Graduate programs at The City College of New York offer distinguished choices for students interested in pursuing careers in the arts. Study and create art in the heart of New York City with faculty members actively engaged in the NYC art scene as well as national and international forums for art and scholarship. http://edm.arts.ccny.cuny.edu/grad_web/index.html Questions Graduate faculty members are available via email, by phone or by visiting campus. The City College of New York, CUNY Department of Art 160 Convent Avenue, CG109 New York, NY 10031 T +1 212 650 7420 http://www.ccny.cuny.edu/art/ 
New Objective Magazine
New Objective Magazine is looking for talented and aware art writers residing in London for our first edition launching November. Deadline: September 10 We are a new quarterly art and culture magazine focusing on up and coming artistic talent, cultural affairs and lifestyle in London. As the London art market cultivates worldwide talent and investors, it sets a creative standard unique to the city which we wish to explore. New Objective showcases the local talent and focuses on the stories, views and lifestyle that arise from the scene and the next big names. We are looking for articles of 1000 - 1500 words to be written along with a blog post (s) of 300 - 500 words relevant to aspects of the article to be placed on our website. You should be confident of the scene in London and have access to artists who have a following, gallery representation and/or are gaining interest. They must be willing to have there images published. At the moment we welcome any proposals for any London centric topics, ideas including: + Street art + London's growing tech sector and how this is reflecting the art sector in east london. Clash of two worlds? + New market trends + Cultural reflection We are paying £200 for the completed articles. Please sent your CV and proposal along with any writing samples to [email protected] by September 10th. Article deadline October 10th. Magazine will be distributed in galleries, cultural centers and stores. Our website is under construction so do not hesitate to contact us if you have any questions. 
FORMAT EXPOSURE OPEN CALL
FORMAT EXPOSURE OPEN CALL Deadline: 1 October 2014 Application fee: £15 “I believe in evidence. I believe in observation, measurement, and reasoning, confirmed by independent observers. I'll believe anything, no matter how wild and ridiculous, if there is evidence for it. The wilder and more ridiculous something is, however, the firmer and more solid the evidence will have to be.” - Isaac Asimov Photography was once considered the most accurate way to record truth. The photograph acted as a solid piece of evidence; indisputable proof of something, someone or somewhere. Since its discovery, photography has been employed as a silent witness to ideas, capturing events and representing a trace of the world. Today, every two minutes, we take as many photos as the entirety of humanity took during the 1800s. On a daily basis, we use photography to evidence our lives; routines, friends, meals, encounters. Millions of seemingly insignificant moments are recorded and shared online, creating inconclusive portraits of individuals, places and events. We can no longer consider a photograph an evidential document in every case. It can equally misrepresent reality as much as it reveals truths; questioning the historic phrase “the camera never lies”. We are interested in the evidence of your ideas, your lives and the lives of others, today and throughout history. We are inviting submissions which explore the boundaries of photography and its connection to our festival theme, EVIDENCE, in original and genuine ways. We are looking for submissions from across the medium of photography and beyond for the next edition of FORMAT International Photography Festival, taking place from 13th March – 12th April 2015, in Derby, UK. Submissions are welcome from artists/photographers, curators, collectives, archives, independent publishers and performers. There are opportunities to show different kinds of works: wall based, installation, public space, screen based, interactive, digital, participatory, workshop and event based. Tell us more in the application form! All we ask is that you connect with the theme and photography/still image. We are open to broad interpretations of the theme. Think openly about the definition of the theme and you are welcome to take it in any direction you think relates. Challenge us! FORMAT has invited a panel of international experts from the field of photography to assist in the short-listing and selection of EXPOSURE artists. The Jury for FORMAT15 consists of: W.M. Hunt – Photography Consultant & Collector, New York, USA Brian Griffin – Photographer & FORMAT Patron, UK Erik Kessels – Curator, Director at KesselsKramer Publishing, Netherlands Wang Baoguo – Chief Editor, Chinese Photography Magazine, China Aaron Schuman – Photographer, Curator, Writer, Lecturer and Editor of SEESAW Magazine, UK Tim Clark – Chief Editor of 1000 Words Photography Magazine, UK Peggy Sue Amison – Artistic Director of East Wing, Dubai, UAE Joanne Junga Yang – Director of Y&G Art, Seoul Photo Festival, Korea Enrico Bossan – Head of Photography at Fabrica, Editor of Colors Magazine, Italy Louise Clements – Artistic Director of FORMAT/QUAD, UK FORMAT has partnered with a selection of great organisations to offer awards. These include: Clifton Cameras Award – Canon Camera, EOS 70D EF-S 18-55mm IS STM Lens Kit* FORMAT EXPOSURE Award - £1000 Ideas Tap Award - £1000 Paul Hill FORMAT Award - £1000 Genesis and Fujifilm Production Award - £1000 worth of framing and printing (on Fujifilm Crystal Archive paper) The Photography Show Award - £500 SHOW ME PICTURES Award - £250 The Photocaptionist Award - £250 towards the production of a special image-text commission for the platform *Prize value £999. No cash alternative. This year the EXPOSURE open call will be hosted by IdeasTap. All submissions must be made via IdeasTap.com. Please ensure you follow the instructions outlined carefully otherwise your submission may not be valid. Download our step by step guide to the submission process. Submissions costs £15*. *The submission fee charged is in aid of FORMAT Festival 2015 and directly contributes to the organisation and delivery of the festival for the benefit of all participants. FORMAT is a non-profit organisation. Apply here: http://www.formatfestival.com/exposure 
Full time Media and Communications position at Townhouse, Cairo
Full time Media and Communications position at Townhouse, Cairo Please apply before 1 September 2014. Townhouse is seeking a confident, critical and ambitious person to take up the role of Media and Communications. Come join the team of one of the leading contemporary art spaces in the region. With multiple mandates—including exhibitions, outreach programs, performing arts, and an international residency program—and close relationships with major cultural institutions worldwide, Townhouse is an exciting place to work, with a fast-paced environment and many opportunities for personal career development. To apply, please send your CV and cover letter to [email protected]. For more information and other opportunities, please check the Townhouse website. 
The School of Arts of University College Ghent seeks two full-time artistic assistants
The School of Arts of University College Ghent seeks two full-time artistic assistants Applying for this position is possible up until, and including 01-10-2014, and only throughhttp://english.hogent.be/careers/ Function - Reference: ONDZF E 017 - Two full-time artistic assistants, 100% of a full-time - Royal Academy of Fine Arts & Royal Conservatory Job description Institutional Context • University College Ghent consists of several functional entities; three faculties (Education, Health & Social Work; Science & Technology; and Business & Information Management), the school of arts KASK & Royal Conservatory, and the Centre for Entrepreneurship. A Central Administration supports the functioning of the board and these entities. • Organisationally, the school of arts KASK & Royal Conservatory consists of seven programme committees and eight departments, supported by six offices. Duties and Responsibilities • Successful candidates are expected to conduct doctoral research in the arts in collaboration with Ghent University, for at least 70% of the full-time employment; • to assist in activities of educational support and student guidance within the relevant field at University College Ghent, for no more than 30% of the full-time employment. Profile description • Candidates are capable of actively developing a personal artistic body of work that meets international standards; • display an investigative attitude within their artistic discipline; • have the skills required to successfully complete a long-term research project; • take a keen interest in communicating about their personal artistic output and in the verbal expression of its contexts; • are acquainted (actively or passively) with artists' writings; • have an active command of English in light of institutional internationalization. Salary Remuneration according to wage scale 508. See the website of the Flemish department of Education for more information concerning this wage scale with respect to seniority. In addition to public sector seniority, private sector seniority can also be taken into account. Seniority will be granted on the basis of certified employment attestations and after examination of the case. Reimbursement of public transportation commuting or cycle allowance, an attractive sports offer, and staff ID with additional benefits. Appointment Initial appointment is for a period of two years, with the possibility of two two-year extensions of the contract upon positive evaluation (if exceptional circumstances would require such, an additional one-year extension is possible in line with article V.141 of the 'Higher Education Codex'). Admission requirements On 1 October 2014, candidates must meet the general requirements outlined in article V.106 of the Flemish 'Higher Education Codex' of 20 December 2013: • be a citizen of a member state of the European Union or of the European Free Trade Association (exceptions can be made in line with article V.107 of the Codex); • have full civil and political rights; • have the required formal qualifications; • conduct themselves in a manner that is consistent with the requirements of the function; • comply with conscription law requirements; • possess the physical fitness required for the function. On 1 January 2015, candidates must hold a master's degree or an equivalent thereof. Application Applying for this position is possible up until, and including 01-10-2014, and only through english.hogent.be/careers. Candidates must include a curriculum vitae and cover letter. Only applications filed in time will be considered. Applicants are expected to submit a project proposal for doctoral research in the arts (including a six-year phasing schedule), and to suggest a supervisor at University College Ghent (School of Arts) and one at Ghent University. The research proposal must be endorsed both supervisors. An uploaded, digital form completed to include the candidate's project proposal must accompany the application. The form is accessible at:http://www.hogent.be/www/assets/File/DPO/form_onderzoeksvoorstel_assistent_kunsten_2014_EN.docx The two supervisors of the project proposal are expected to submit their advice on the candidate and the proposal to ms Els Stuyven, director of University College Ghent's Office of Research Affairs, via [email protected] on 1 October 2014 at the latest. The template for this advice can be found at: http://www.hogent.be/www/assets/File/DPO/form_advies_promotor_assistent_2014_EN.docx The selection procedure starts with a preliminary selection based on competency requirements. Only those candidates whose applications sufficiently prove them to meet these requirements will be invited for an interview, tentatively scheduled for 1 December 2014. Questions regarding the open position can be addressed to ms Katrien Vuylsteke Vanfleteren, head of the Research Office of the School of Arts, via [email protected] University College Ghent wishes to reflect the society it works for in the best possible way. Candidates will be selected on the basis of their professional qualities and skills, regardless of gender, ethnicity or handicap. Royal Academy of Fine Arts & Royal Conservatory Jozef Kluyskensstraat 2 9000 Ghent Belgium http://schoolofartsgent.be/ 
Van Eyck Call for Applications
Van Eyck Call for Applications Deadline: Deadline: 1 October 2014 Application fee: 65 Euros The Van Eyck invites artists, designers, photographers, architects, curators, writers, and thinkers to apply for a work period at the Jan van Eyck Academie for 4 up to 12 months. Participants are given the time and space that is needed to develop their talents, to discover as yet unexplored perspectives and delve into deeper layers of themselves. The whys of applying Apply if you feel the time is ripe to take your work to another level in an open environment, to experiment and investigate, to see your work reflected in the mirror of the world or to do what no one fully grasps yet. Apply if you would like to meet artists, designers, curators, and thinkers from all quarters of the world. Apply if you want to be part of a community, establish collaborations and set up an In-Lab with other participants. Apply if you want to make use of our high-quality, well-equipped Labs. Apply if you would like to participate in a Mirror project. Apply because you know the Van Eyck is the right place to be. To learn more: www.janvaneyck.nl Application Deadline: 1 October 2014 Van Eyck Multiform institute for fine art design and reflection Academieplein 1 6211 KM Maastricht (NL) t: +31 43 3503737 |
International Women's Erotic Art Competition 2014
Second International Erotic Art Competition. Deadline: 8th-October 4th 2014. Application fee: The cost per artwork is £15.00 Sterling The prize will be £300 ($450 / EUR 350) All winning artists will benefit from reviews written about their work by the judges, we are also planning an e-book. Nationality and location will not affect the selection of winning works. To find out how to enter and see last years competition winners please go to: www.womenseroticart.com Link(s) to the Judges: Alexandra Warder & Lana Bountakidou: http://www.bosseandbaum.com/ Dr. Josie Pearse: http://angelstrand.co.uk/dont-buy-my-book/ 
SOUTH-CENTRAL (Southhampton area UK)
SOUTH-CENTRAL aspex launches new open submission competition. Deadline: Monday 5 October 2014 Application fee: none SOUTH-CENTRAL is aspex’s new open submission group exhibition, which seeks to highlight the work of emerging visual artists working in any media within 90 minutes travel time of the gallery. There are no age restrictions, but undergraduate students must be in their final year of study. The exhibition is not themed. The selected artists will exhibit their work in a group show in the main gallery space at aspex. The overall winner will then work with the aspex team to produce a solo exhibition, either at the gallery or offsite within the City of Portsmouth. For full details, visit www.aspex.org.uk/south-central 
Digital Fabrication Residency
Digital Fabrication Residency Deadline: September 1, 2014 Application fee: $15 The Digital Fabrication Residency is a hands-on online intensive incubator for visual artists, designers and creatives with the desire to incorporate digital fabrication into their work to achieve highly specialized production for individual projects and public art commissions. The residency utilizes online collaborative tools to enable learning; consultation and idea development catered to the individual project needs of participants. This is an opportunity for artists, designers and creatives to engage in building and expanding their knowledge of digital tools, learn resources, exclusive workflows, and directly connect with other professionals in curatorial fields, related organizations, fabrication specialists, and innovators in 'making'. The Digital Fabrication Residency helps visual artists, designers and creatives reach real-world results with feasible workflows that will enhance not only the physical output of creativity but also gain a competitive edge with project visualization tools for future RFP's and professional opportunities that represent professional level presentation in today's art and design fields. - The residency will include online group discussions, visiting speakers and workshops all utilizing interactive technologies readily available in today's global workplace. - Real face-to-face time online with other residents, mentors and special guest speakers. - The Digital Fabrication Residency is designed to work with your busy schedule. - Using your smart device or computer connected to high-speed internet, you are connected to an incubator that will change your ideas about making. - Professional level software workflows cover designing, modeling, engineering parts, file preparation, locating CNC related services and insider tips on professional level services providers for machine output. - Each resident has the opportunity to submit up to 5 files to be 3D printed as part of the residency. * - Learn about how to integrate innovative fabrication processes such as CNC milling, lasers, 3D printing, digital embroidery, textile printing, and electronics into your projects. Be part of the BETA group with this pioneering model for residency exchange and gain experience with dedicated professional artists, fabricators and industry professionals at the forefront and dedicated to the digital craft of making. Application Deadline: September 1, 2014 11:59 pm Residency Dates: Fall Full Session (3 months): September 15,2014 - December 5, 2014 Fall Part 1 (6 Week Session): September 15, 2014 - October 24, 2014 Fall Part 2 (6 Week Session): November 3, 2014 - December 12, 2014 To learn more about the Digital Fabrication Residency visitwww.digitalfabricationresidency.com To apply to the Digital Fabrication Residency visitwww.digitalfabricationresidency.com/apply/ 
IPCNY New Prints 2014/Autumn
IPCNY New Prints 2014/Autumn Deadline: September 15, 2014 Application fee: none New Prints 2014/Autumn Exhibition Begins: October 25, 2014 Opening Reception: Thursday, November 6, 2014 Visit www.ipcny.org/apply to apply online now! Please apply early to avoid technical problems due to volume. Applications received after the deadline will not be accepted. The deadline is 11:59 PM, Monday, September 15, 2014. In keeping with our mission to promote the greater appreciation and understanding of the fine art print, IPCNY presents a selection of new prints several times per year. New Prints 2014/Autumnwill be the 49th New Prints Exhibition. The show will be selected by Nicola López, an artist and printmaker who lives and works in Brooklyn, NY and teaches at Columbia University. Criteria for selection: - Only original fine art (limited edition and unique) prints are eligible; reproductions of other artwork such as drawings or paintings are not acceptable. Videos, installations and other projects using printmaking as a major component are acceptable. - Selections will represent a broad diversity of sources, geographical and otherwise. - Prints must have been completed within a year of the submission deadline. There is no entry fee. Independent artists, workshops, publishers and dealers are all welcome to submit recently completed print projects. Please refer to the Submission Guidelines below. All artists whose work has been selected will be notified by email. If you have not received word by October, please check our website homepage for a list of artists. Please do not call. Artists and publishers whose work has been selected will be responsible for the framing and delivery of work to IPCNY by October 17, 2014. IPCNY will cover the return cost of delivery within reason (up to $100). If you would prefer to apply by mail, please see submission guidelines below for instructions. Mail to: International Print Center New York, New Prints Program, 508 West 26th Street, 5th Floor, New York, NY 10001. SUBMISSION GUIDELINES Materials must be received by September 15, 2014. Send images in digital format on a CD (no DVDs) labeled with the submitter's name. DO NOT SEND ORIGINAL ARTWORK, ENCLOSE BINDERS, FOLDERS, OR ANY MATERIALS OTHER THAN CD AND IMAGE LIST. A maximum of five works per artist is allowed, with one image and one optional detail per work. There is no size limit. IMAGE REQUIREMENTS: - Images must be clear, professionally presented, and accurately represent the work. - Images must be in jpeg format, the largest dimension (length or width) at 1200 pixels. - Image resolution at 72 dpi. - Name each image as follows: artist's last name_first name_entry number. (For example: smith_john_01.jpg, smith_john_02.jpg, etc) All submissions must contain an image list, included as a word document or plain text document on the CD, as well as a hard copy printout. List should be created as follows: - Title the document file: artist last_artist first.doc - The list must be headed with the name of the submitter and complete contact information: address, phone number and email address. Publishers, please include a new form for each artist submitted. - Each list entry should be numbered corresponding to the number on the digital images. The list should include: Entry number, artist's name (first, last), title, date completed, medium, edition size, dimensions: (Height x Length in inches) plate size, paper size, printer, publisher. Example: Jane Smith Cat Song, 2014 Lithograph with chine collé. Edition: 25 Plate: 25" x 25", Paper: 30" x 30" Printed by Editions, Inc. Published by the artist http://www.ipcny.org/apply http://re-title.com/exhibitions/ipcny.asp 
Open Call: Boda-Boda Lounge Project
Open Call: Boda-Boda Lounge Project Deadline for submissions 15 September 2014 Download the application here. The Boda-Boda Lounge Project is a cross-continental video festival that will feature at over 15 spaces throughout Africa. Boda-Boda Lounge Project is currently accepting video art submissions from artists based in Africa and of African descent. Relevant submissions will be put forward for intercontinental screening and exhibition programming. The term ‘Boda-Boda’ is an adaptation of the word border and alludes to a cross border movement, suggesting physical mobility across lines that represent the divide of land and space universally. Teamed with ‘lounge’, the project seeks to engage questions of mobility and domesticities, and how these two notions are now being engaged in our personal spaces. Altogether, Boda-Boda Lounge project takes cognizance of the physical aspect of mobility, it attempts to engage with people’s private space and imagine the ways through which Africans on the continent, mostly middle-class, do have access to a space in which we are allowed to cross physical and imaginary lines/ borders through the use of the TV set normally located in the lounge room of the house; thus, providing context to the thinking as well as exhibition making within the context of the Boda-Boda Lounge video exhibition. Private space in many contexts represents an environment in which human beings reflect about their individual experiences comparatively to their interactions within public spaces - private space hence establishes room for intimate dialogues, activities and the opportunity to lounge and reconnect with their senses. Boda-Boda Lounge will attempt to reflect how people engage with their personal or private space looking at the influence of audio-visual sets in their lives in and out of private space. The Boda-Boda Lounge Project is a collaborative project between VANSA (South Africa), Picha (Congo DRC) and VAN Lagos (Nigeria). It intends to enable wide access for African artists to be part of the festival and to enable a wide range of African arts organizations to take part. It is an engagement with low cost, widely accessible exchange processes on the African Continent. Requirements: Who can submit? Any artist working with digital and multimedia art as a medium on or from the continent. Which works will be selected? Works must have been produced in the past five (5) years. How many works can you submit? Maximum of 3 works per submission. Each work must be accompanied by a new application form. Selection Criteria The works will travel through the many venues during selection period, where each hosting hub nominated jury will do a final selection for their exhibition. The project will take place on the same date for 3 days at the following venues: Zero Point Gallery 32º East | Ugandan Arts Trust Medina Galerie Mediatheque E.studio Luanda Centre Soleil d'Afrique Njelele Art Station Voices in Colour VAN Lagos Picha Lubumbashi Alle School of Fine Arts & Design | Addis Ababa University VANSA Townhouse To apply please check the Townhouse website. 
Itch Magazine 13 open for submissions
Itch 13 open for submissions with new theme and new editor Deadline: 1 September 2014 Application fee: none Itch magazine, the continent's most widely respected online creative journal, is pleased to call for for fresh work from writers, poets and visual artists for selection for its 13th issue, and to announce the appointment of a full-time editor. London-based writer and filmmaker, Elan Gamaker, joins the magazine to take up this important role. He explains that Itch, under the auspices of the School of Literature, Language and Media at the University of the Witwatersrand, has an increasingly global outlook. "While our base remains South Africa, we encourage writers and visual artists from around the world to contribute to what is rapidly becoming the pre-eminent publication of its kind in Africa," says Gamaker. "This being said, it is important to us that we maintain our financial independence and editorial integrity. This is why, in spite of recent changes, we exist entirely thanks to the contributions of our readers." Each issue of Itch is constructed through the selection of the best written and visual work submitted via the Itch website. The magazine aims to be free-thinking and user-driven and therefore contains no op-eds, reviews, blog entries and commissions. As with previous issues, potential contributors to Itch 13 are prompted by a theme. But, as Gamaker explains, this is only a guide, and variations on the theme in the broadest possible sense are welcomed. The theme for Itch 13 is DETECTION. Taken literally, detection means the search for something hidden or concealed, but it opens up a myriad possible interpretations. Since we welcome work from writers at every level of experience and across cultures, we hope to see many different responses to the theme. Those interested in contributing to Itch 13 have until 1 September to submit their work. Submissions can be made by visiting www.itchmagazine.org. Deadline for submissions: 1 September 2014 More details on our submissions page at http://www.itch.co.za/submit-an-article Contributors will have to register and log in to submit work. Please do not email your submission – you will be able to upload it at the interface at the above web address. With any queries, please contact: [email protected] ITCH is the Journal of Creative Expression of the School of Literature, Language and Media at the University of the Witwatersrand. 
OPEN with Shane Lavalette: The Center For Fine Art Photography
OPEN with Shane Lavalette | INTERNATIONAL PHOTOGRAPHIC CALL FOR ENTRIES Deadline: September 3rd, 2014 Application fee: C4FAP MEMBERS | $20 for 5 images / non-members $35 5 images THEME | OPEN This call for entry does not have a required theme; please submit your choice of photographic work(s). All subject matter and photographic processes are welcome. JUROR | Shane Lavalette Shane Lavalette is the founding Publisher/Editor of Lavalette, and the Director of Light Work. Lavalette’s photographs have been shown widely, including exhibitions at the High Museum of Art, Center for Documentary Studies at Duke University, Aperture Gallery, Montserrat College of Art, The Carpenter Center for Visual Arts at Harvard University, The Center for Photography at Woodstock, The Museum of Fine Arts, Boston, and Musée de l’Elysée, in addition to being held in private and public collections. ABOUT C4FAP | Founded in 2004 by photographers, The Center for Fine Art Photography is a nonprofit 501(C)(3) photography organization. We provide support to photographic artists through exhibition, solo exhibition, promotion, portfolio reviews, publication, education and connection to a large community of other artists, curators, gallery owners and photographic professionals. Open Tues-Sat, Free, Public Welcome. Please visit c4fap.org for more information and additional calls for entries. HONORS | AWARDS With selection for this exhibition, the artists are invited to join C4FAP on the reception weekend for review with the juror, Shane Lavalette, and the Executive Director, Hamidah Glasgow. There will also be a group portfolio share and an artists’ lunch at C4FAP. An international audience of collectors, curators, art consultants and other advocates of fine art photography will view the chosen artist’s work throughout the exhibition. Each participant is included in the Center’s Main Gallery exhibition in Fort Collins, Colorado and Online Gallery exhibition. In order to be included in the online gallery or to receive an award, you must provide a professionally printed and framed/mounted image for gallery exhibition. All chosen artists will be included in the exhibition catalog. Juror’s Selection: $500 Director’s Selection: $250.00 Two LiveBooks Website Awards: Valued at $399 from liveBooks Honorable Mention Awards: 2 year membership and image submission to a call for entry at the Center. IMPORTANT DATES Entries Due: September 3rd, 2014 Notice Of Acceptance: September 12th, 2014 Exhibition Dates: Dec. 5th 2014- Jan 10th, 2015 Public + Artists’ Reception: Dec 5th 6-9 pm SUBMISSION | ENTRY FEE MEMBERS | $20 for the first five images. NON-MEMBERS | $35 for the first five images ADDITIONAL IMAGES may be submitted for $10 each. There is no limit to the number of images that may be submitted. Applicants signing up for membership at the time they submit will receive the automatic discounted entry fee. Note: Images selected by jurors for exhibition at the Center in the previous 12 months are NOT eligible. Images previously submitted but not yet selected for exhibition may be resubmitted. Image Upload Guidelines All images are submitted online on our website. To submit images visit our home page, create an account or Login to your existing account to begin. Further instructions are available in the Calls for Entry Section of our website. Eligibility: The exhibition is open to all photographers world wide, both amateur and professional. The Center invites photographers working in all mediums, styles and schools of thought to participate in its exhibitions. Exhibit Prints: All images accepted for exhibition must be printed and framed or mounted professionally for exhibition at C4FAP. The Center recognizes that some work is non traditional and incorporates the framing as an integral part of the presentation. Please no colored mats or frames. Black or white mats and frames only, unless you obtain prior approval. To encourage participation by photographers from around the world, the Center offers optional, professional, printing and framing services. Additional details will be provided upon request. Acceptance Notice: Everyone who submits will receive an email notification of which images were accepted. Accepted images will be posted on the Center’s website along with instructions for the gallery presentation. USE RIGHTS: Each artist retains all copyrights to their own images. Artist’s recognition is provided with any use. By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting exhibitions, promoting the Center’s programs, promoting the artist and subsequent display on the Center’s website of current and past exhibitions. Promotions and images may also be placed on social networks for The Center for Fine Art Photography with artist credit. Artists grant the use of their image(s) as stated without further contact or compensation from the Center. Questions? Visit: http://www.c4fap.org | Email: [email protected] 970.224.1010 | Closed Sunday and Monday http://re-title.com/exhibitions/thecenterforfineartphotography.asp 
Momenta Art Open Call for Proposals
Momenta Art Open Call for 2015-16 Season Deadline: September 30, 2014 Application fee: $10 Momenta Art is an artist-run, not-for profit organization dedicated to providing a space for public dialog through critically-engaged art projects. This year, proposals will be reviewed by Petrushka Bazin Larsen, an independent curator and arts administrator, and Momenta Art staff. Please read the guidelines below and follow instructions in order to ensure that your proposals can be given the attention they deserve during our selection process. We kindly ask you to contribute a $10 fee to offset the administrative costs associated with reviewing your application. We look forward to receiving strong project proposals to be realized during September 2015 – June 2016. We sincerely appreciate your interest in our program. The upcoming deadline is September 30th, 2014. Please e-mail your proposal to [email protected] Invited reviewer of this year Petrushka Bazin Larsen is an independent curator and arts administrator committed to finding new ways of making art more accessible. As an independent curator, she has organized exhibitions at The Kitchen, NURTUREart, along New York City’s 14th Street for Art in Odd Places, in a San Francisco-based self-storage unit, among other venues. As the Program Director of The Laundromat Project, she works with artists to present engaging art programs and experiences in laundromats and other everyday spaces throughout New York. ARTIST PROPOSAL We accept documentation of existing artwork or future project plans by individual artists, collaborative teams and collectives. Your proposal will be considered for solo exhibitions and group exhibitions curated by Momenta Art staff during September 2015–June 2016. Please read our proposal guidelines carefully and e-mail to [email protected] by September 30th, 2014. CURATORIAL PROPOSAL We look for well-conceptualized, ambitious curatorial proposals that can be realized through exhibitions, events, conferences, video screenings and other formats for our exhibition season 2015-16. Please read the following guidelines and submit your proposals to [email protected] by September 30th, 2014. http://www.momentaart.org/momenta-art-proposal.html 
NARS Foundation International Artist Residency Program
NARS Foundation International Artist Residency Program Deadline: October 1, 2014 Application fee: $35 The NARS Foundation International Artist Residency Program provides national and international artists with the opportunity to produce new work while engaging with the vibrant arts community in New York City. Artists-in-residence have access to an individual studio space and various professional development programs. Residents have an opportunity to share and present their work through artist talks, workshops, and lectures and receive studio visits by prominent New York City curators, critics and gallerists. The NARS Foundation seeks applications on two levels. The first level includes emerging and mid-career artists for whom appointments as residents may make a significant impact on their careers. The second level consists of artists with established national and/or international reputations for whom a change of environment may offer refreshment and inspiration. Online application forms must be submitted by Wednesday, October 1, 2014 before midnight. Please note that there are separate applications for artists living in the US and artists living abroad. Please read the guidelines completely prior to beginning your application. A non-refundable application fee of $35 (US) is required with each submission. Location: Brooklyn, NY, USA Deadline: October 1, 2014 Duration: January - December, 2015 (US-Based); 3 or 6 months January 2015 - December 2016 (International) Eligibility: The International Artist Residency Program is open to emerging and established US Based and International Artists. Students are not eligible to apply. Costs & Support: US-Based artists are eligible for Full and Partial Fellowships. US-Based artists who receive the Partial Fellowship are responsible for a program fee of $2,100 which can be broken down into monthly payment installments. The Full Fellowship covers the entire cost of the residency program. International artists are responsible for a program fee of $5,000 for three months and $10,000 for six months. US Based Application: http://narsfoundation.org/NARS_usArt_app2014.php International Based Application: http://narsfoundation.org/NARS_intlArt_app2014.php 
360 XOCHI QUETZAL artist and writer's residency Mexico
360 XOCHI QUETZAL artist and writer's residency Mexico Deadlines: September 28, 2014 for Winter Residency; January 18, 2015 for Spring Residency Application fee: $36 360 XOCHI QUETZAL is a FREE artist and writer's residency located in Chapala, Mexico. The deadline for our Winter Residency Program is Sunday, September 28, 2014 (for the Dec 17, 2014 - Jan 16, 2015 residency). International visual artists, writers, playwrights, photographers, dancers, new media makers and musicians can apply through CAFÉ,http://www.callforentry.org/ Visit our website for more detailed information: http://www.deborahkruger.com/1/art-residency.html or write to us at [email protected] |
VILLA AMIRA, Street Ante Starčevića 33,
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LP vinyl sell from Bosnia and Herzegovinahttp://lpvinyl.weebly.com/
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DIOGEN pro kultura magazin - zaštita kulturne baštine Bosne i Hercegovine
DIOGEN pro culture magazine - protection of Bosnia and Herzegovina cultural heritage
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Copyright © 2014 DIOGEN pro cultura magazine & Sabahudin Hadžialić
Design: Sabi / Autors & Sabahudin Hadžialić. Design LOGO - Stevo Basara.
Freelance gl. i odg. urednik od / Freelance Editor in chief as of 2009: Sabahudin Hadžialić
All Rights Reserved. Publisher online and owner: Sabahudin Hadžialić
WWW: http://sabihadzi.weebly.com
Contact Editorial board E-mail: [email protected];
Narudžbe/Order: [email protected]
Pošta/Mail: Freelance Editor in chief Sabahudin Hadžialić,
Grbavička 32, 71000 Sarajevo i/ili
Dr. Wagner 18/II, 70230 Bugojno, Bosna i Hercegovina
Design: Sabi / Autors & Sabahudin Hadžialić. Design LOGO - Stevo Basara.
Freelance gl. i odg. urednik od / Freelance Editor in chief as of 2009: Sabahudin Hadžialić
All Rights Reserved. Publisher online and owner: Sabahudin Hadžialić
WWW: http://sabihadzi.weebly.com
Contact Editorial board E-mail: [email protected];
Narudžbe/Order: [email protected]
Pošta/Mail: Freelance Editor in chief Sabahudin Hadžialić,
Grbavička 32, 71000 Sarajevo i/ili
Dr. Wagner 18/II, 70230 Bugojno, Bosna i Hercegovina